Professional Wrestler And Former ECW Star New Jack Tells His Life Story (RIP)

In the wake of the news of New Jack’s sudden passing, this VladTV flashback in memoriam of the pro wrestling legend who stopped by to chat with Vlad last summer. New Jack gave an in-depth interview about his early life as well as some of the controversial moments throughout his wrestling career. RIP

NBCU’s Peacock Pins WWE Network Exclusive U.S. Streaming Rights In Five-Year Deal, Beginning March 18th

NBCUniversal’s Peacock soon will be the only place to watch WWE Network in the U.S.

WWE and NBCU reached a multiyear agreement giving Peacock exclusive streaming rights to WWE Network for American viewers. The over-the-top wrestling entertainment service’s existing U.S. subscribers (about 1.1 million in total) will be migrated over to Peacock Premium, where they’ll continue to get access to WWE Network but will pay 50% less per month while getting full access to the version of the Peacock Premium tier with ads.

Peacock will launch WWE Network on March 18, 2021, when Peacock will begin the rollout of more than 17,000 hours of WWE Network new, original, and library programming (both on-demand and on a new 24-hour channel).

The NBCU streamer will have all WWE live events — for no additional charge — including WrestleMania and SummerSlam, with Fastlane the first event to stream on Peacock on Sunday, March 21. (WWE fans who would prefer to order events via traditional pay-per-view will still have that option.)

WWE Network will be available on Peacock Premium (which includes ads) for $4.99 per month, half the price of WWE Network’s current $9.99/month pricing. The no-commercials Peacock Premium Plus plan, which costs $9.99/month, also will include WWE Network.

The companies plans to share details of how existing WWE Network subscribers in the U.S. will be switched to Peacock (e.g., whether they will be automatically subscribed to Peacock) in the next few weeks. Nothing will change for WWE Network subscribers outside the U.S.

Financial terms of the Peacock-WWE Network pact were not disclosed. “We feel great about the financials. Otherwise we wouldn’t have done the deal,” said Nick Khan, WWE’s president and chief revenue officer, who joined the company last August from CAA. “To have WrestleMania in particular — which is our Super Bowl — available [for no extra cost] on Peacock is quite different from other models you’re seeing.”

For Peacock, the WWE Network is “a transformative addition,” said Rick Cordella, Peacock’s EVP and chief revenue officer. “We have a lot of data that shows live events and sports drives a lot of user acquisition,” he said. “The bet is that there exists a much larger total available audience [for WWE programming] than is on WWE Network today.”

WWE and NBCU (and its predecessors) have been partners for more than 30 years. “Monday Night Raw” on USA, the first regular cable program from the wrestling-entertainment company, debuted in 1993. “WWE has always tapped into the cultural zeitgeist with spectacular live events and larger-than-life characters, and we are thrilled to be the exclusive home for WWE Network and its millions of fans across the country,” said Cordella.

In the third quarter of 2020, WWE Network had average paid subscribers of 1.6 million, down about 60,000 from the prior quarter but an increase of 6% year over year — marking the service’s first annual growth since Q1 of 2019. The entertainment company originally launched WWE Network in February 2014, when it ended its traditional pay-per-view events business.

Starting in 2022, WWE will produce “one signature documentary annually” for the WWE Network on Peacock. Also available on WWE Network are about 100 hours of original series like “Steve Austin’s Broken Skull Sessions,” “Undertaker: The Last Ride” and the recently premiered “WWE Icons”; in-ring shows like NXT, NXT UK and WWE 205 Live, as well as replays of “Raw” and “SmackDown”; WWE Network archives, including every WWE, WCW and ECW pay-per-view event in history; and documentaries including “WWE 24,” “WWE Untold” and “WWE 365.”

Peacock, which NBCU launched nationwide in July 2020, attracted nearly 22 million user “sign-ups” in its first six months of wide release, according to the company. Eligible customers of Comcast Xfinity X1 and Flex and Cox’s Contour — a total of about 24 million households — get Peacock Premium included at no additional cost.

Peacock’s content lineup includes a slate of originals, libraries of TV shows — including all episodes of “The Office” and “Yellowstone” — and films from Universal Pictures, Focus Features, DreamWorks Animation, Illumination, and other studios. In addition, the OTT service provides news, sports, late-night, Spanish-language, and reality from across NBCUniversal.

Peacock Premium now offers more than 47,000 hours of programming. NBCU also offers a free, ad-supported version of Peacock with a trimmed-down bucket of content.

Source: Variety

Rob Van Dam: How To Move Up In WWE Through Backstage Politics

In this exclusive clip from “Retrospective” with ECW legend Rob Van Dam, “The Whole F’n Show” explains how to build up a wrestling career in WWE, navigating the politics with the McMahon family, taking care of ‘the guys’ to earn your opportunity, and Shane McMahon telling RVD ‘the one thing’ he fell short on in getting a push while John Cena was on hiatus from the company.

Atlanta Hawks unveil trio of new 2020-21 uniforms with franchise’s classic colors and updated wordmarks

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ATLANTA — The Atlanta Hawks today revealed new uniforms, inspired by the franchise’s signature colors and marks synonymous with the team and its history in the city of Atlanta since 1968. In addition to the uniforms, the team also released new primary and secondary logos along with new ‘Atlanta Hawks’ wordmarks. The team will begin wearing these uniforms to start the 2020-21 season.

Infinity Black and Legacy Yellow rejoin Torch Red and Granite Gray to create a visual identity derived from the Hawks proud heritage. These core colors have been present throughout the Hawks’ time in Atlanta, having adorned more than five decades of Hawks Basketball including Hawks Legends Lou Hudson, Pete Maravich, Dikembe Mutombo and Dominique Wilkins.

Source: NBA

2017 – The Carter Effect transformed Canadian basketball: Ex-Raptors star ignited sport’s popularity in a hockey-mad country

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Prior to Carter’s arrival, Raptors games were such a tough sell even scalpers found it difficult to make anything off their tickets.

The Daytona Beach, Fla., native took the league by storm earning the nicknames “Half man, half amazing” and “Air Canada” for his electrifying dunks and high-flying acrobatics.

“When he was ‘Vinsanity,’ I was enjoying it as a fan like everyone else and noticing the talks amongst my friends in the classrooms — it was no longer about hockey, it was basketball now,” Menard said.

Carter’s performance at the NBA Slam Dunk Contest on February 13, 2000 forever changed the landscape of Toronto and Canadian basketball’s reputation.

The burgeoning star opened the competition at Oracle Arena in Oakland with a 360 windmill dunk and later executed the iconic between the legs dunk off a bounce.

“Without that dunk competition, I don’t know if you have this type of effect [on Canadian basketball]. It was so important that he was wearing ‘Toronto’ across his chest for that dunk contest because it put the city on the map globally — he was representing our city,” Menard said.

Source: CBC

Mark Henry on Stepping to WWE Writers to Stop Racist “Silverback Gorilla” Storyline

In this clip, Mark Henry speaks about dealing with racism in all aspects of his life, including when he was working with the WWE. He went on to share a story of addressing writers who wanted to push a “silverback” gorilla storyline about him, which Mark said was racist. He added that he spoke to WWE CEO Vince McMahon about his thoughts on the situation, and Vince told him that he should tell the writers that he wasn’t going to tolerate the storyline. When asked about the most foolish purchases he made during the beginning of his career, and Mark joked about putting a lot of dancers through college. You can hear more above.