An M13 Bedtime Story
While music festivals remain a distant memory in most parts of the world, a full-scale Ultra Music Festival event went on in Taiwan on Saturday, November 14th. The event, which took place at Dajie Riverside Park in Taipei, was billed as a part of Road to Ultra, the long-running series of one-day festival events in cities around the world created and founded by the team behind the famous Miami electronic dance music festival.
The Ultra event in Taiwan was headlined by Swedish progressive house maestro Alesso and featured performances by LA-based duo Slander, Israeli production pair Vini Vici, and America DJ Kayzo as well as regional supporting acts Junior, RayRay, and Pei Pei. It welcomed crowds of thousands to enjoy a full music festival experience complete with lavish stage production, pyrotechnics, and fireworks in addition to live painting demonstrations, global street food, and a graphic art wall created by Taiwanese designers. The event was streamed live online to a global audience.
The successful festival serves as a big win for the Ultra organizers, whose Covid-imposed cancellation of Ultra’s flagship Miami event in early March was among the first in a cascade of cancellations that saw much of the global live music industry to screech to a halt over the ensuing weeks.
As the United States struggles with its nastiest spike to date and the prospect of a full-blown music festival remains entirely out of the question, Taiwan has had immense success in curbing the spread of the coronavirus. As of the end of October, the East Asian country had gone 200 days without a locally transmitted COVID-19 case.
Source: Live For Live Music
Eddie Huang has just announced the official closing of the bao shop that started it all. Opened in 2009, Huang and his close friends/partners set out to tell their story through food, via delicious pork belly buns (gua bao) to be exact, and Baohaus in New York City‘s Lower East Side was born. Two years later, Baohaus moved to a larger location in East Village where they remained up until now.
The popularity of his New York establishment has aided in catapulting Huang into the fields in which he has always believed saw the least bit of Asian-American presence — Television, film, and literature — to which he has now all successfully offered his voice to. Huang points out that it was not an easy decision with, “We held out as long as we could, but we have decided to close. Shouts to the customers that ran in thinking we were open, it means a lot. It’s been a wild and fulfilling 10-year ride with Baohaus but I’d be lying if I said ‘I can’t believe what’s happened.’”
In the Instagram post, Huang shouted out his team, plugged his upcoming film Boogie, quoted Raekwon, and paid his respects to Prodigy and Anthony Bourdain. And with that, Baohaus turned on their glowing-blue neon sign for the last time. It’s on to the next adventure for the Human Panda.
You don’t have to scroll too far to see comments like these on articles about hate crimes or xenophobia. People seem quick to dismiss news reports of Asian Americans being verbally and physically assaulted, or even use the comment section as a stage to continue the attack from the comfort of their keyboard.
This behavior of denial and gaslighting of crimes against Asians is overwhelming and, frankly, perplexing.