Orange Coast College’s 164-acre campus is located in Costa Mesa just minutes from Southern California’s beautiful beaches. Founded in 1947, with classes beginning in 1948, OCC has grown into one of the nation’s largest — and finest — community colleges, enrolling more than 25,000 students each semester.
OCC features exceptional facilities and the latest in technology and offers more than 135 academic and career programs, including one of the nation’s largest and most acclaimed public nautical programs. Nearly half the students on campus are enrolled in one of OCC’s Career and Technical Education programs.
OCC ranks first out of Orange County’s community colleges in the number of students it transfers to the University of California and California State University systems. Over the past decade, thousands of OCC students have transferred to UC and CSU campuses. Additionally, many Orange Coast students go on to transfer to private colleges and universities within California and across the nation.
A member of the Coast Community College District, OCC offers fall, winter, spring, and summer classes and is fully accredited by the Western Association of Schools and Colleges.
Today we’d like to introduce you to Stephanie Rizo.
Alright, so thank you so much for sharing your story and insight with our readers. To kick things off, can you tell us a bit about how you got started? It all started when I was just a little kid. I loved getting up early to watch all the Saturday morning Cartoons and reading the newspaper comic strips that my dad would bring. My family is a very creative bunch and have always been supportive in the arts, so it was no surprise that I started to become interested in drawing. I was always drawing on any kind of paper I could get my hands-on like receipts, accidental print paper, napkins at restaurants while we waited for our food or getting in trouble at school for doodling animals on the math homework. My mom would take my sister and I often to the library and it was then when I discovered “how to draw” books. I couldn’t believe there was a book that could teach you how to draw animals and people. I was always leaving the library with too many books that my little body could carry, I mean I was just so excited! It was one particular trip to the library that I came across one of my first “art of” books. It was a wide landscape book that was popping out of the bookshelf, it caught my eye and I pulled it out. It was Tarzan art of book, I felt like I had just found gold. As I flipped through the pages, I was inspired by all the beautiful art that the book was filled with, from Character Design, Background paintings and visual development. Then I saw these very expressive animated drawings that Glen Kean had drawn, it read that he was a character animator at Walt Disney Animation Studios. That’s when I knew that I wanted to work in animation!
As I got older graduating from Highschool in 2010, I headed to Orange Coast Community College. My goal was to finish my GED and transfer to an art school or university. During this time, I learned about the college’s Narrative illustration program and the art center on campus. It was really awesome because that is where I met some of my closest friends and created such a fun art community. We each realized that we had the same goals of wanting to improve, work hard and do as much drawing as we could. Since we all wanted to up our skills and portfolios for art school, we started to attend CTN (Creative Talent Network) back in 2013. It was such a great time to meet artist that inspired us and get feedback on our work. Once I had a portfolio ready and GED done, I was accepted to Laguna college of art and Design. It was the closest art school in southern California and found that their animation program was great. Though I was thankful for some scholarships that I was able to receive, I still had to take on a big loan for the next four years. Being a first-generation Mexican- American, I have been fortunate to have love and support from my family the moment I knew I wanted to become an artist and of course, they were worried of the challenges that I would have to face but they were and have been always cheering me on. So, I felt that this was too much of a debt to take. I knew that a lot of these classes I could take Online and at community college. I wanted to make my parents proud and still get an education but with an affordable budget, we could manage.
I returned to Orange Coast to finish the Narrative Illustration program. Once I started this art journey, I knew I had to work a lot more in finding different kinds of resources to expand my knowledge of the fundamentals in animation and the industry. I was still keeping in touch with my close art friends and one of them ( Victor Calleja) had been attending Cal State Fullerton and they told me about a club called PMC (pencil Mileage club) The club would bring in speakers once a week, who have been working in animation/ illustration/ Entertainment and share their experience and journey. So, I would sneak into these events and take as much notes as I could, to just absorb as much knowledge. In 2015- 2016, I finished the Narrative illustration program and was thinking about the next step to take. I was still working on my portfolio and applying to any jobs or internships but all I got was rejection letters. Though I felt defeated, I knew that I had to keep pushing and work harder, I kept attending CTN every year and there I learned about Schoolsim courses run by Bobby Chiu. They were great because they offered classes with instructors who have worked in the animation industry at an affordable price! I also came across Chris Oatley Academy as well, what I loved about his courses was that he didn’t teach you how to draw but it was more about understanding the animation pipeline and expanding your knowledge in storytelling. Then Eva Lacy reached out to me on Instagram to see if I was interested in participating at her pop-up event called The Artist Lodge. She had seen my work and felt that I would be a good fit for it. I was nervous about it because I didn’t think people would be interested in buying my work but I took the chance and went for it. It was a great experience and gave me a lot of confidence and motivation to share more of my work on Instagram. As I kept posting my art online and shared my work, it leads an awesome opportunity to do some Freelance Character Design work on Unikitty T.V show at Warner Bros. Andrea Fernandez had found my art and passed my work along to Lyn Wang. I was thrilled they had reached out! Even though it was only for a short amount of time, it was a great experience and learned so much on the job.
At this time, I was working at Starbucks during the day and freelance at Night. Even though I was getting a taste of what it was like to work for a studio as a freelancer, my goal was to work at a studio full time. One-night PMC had a special alumni speaker event and had some really awesome artists to talk about their journey. One of them was Matt Roberts, a recruiter for Walt Disney. After that wonderful talk, I decided to introduce myself and share a visual development art book my partner and I made. He thought it was awesome and liked to work and kept it. We thought it was awesome and didn’t think much of it after that night. Time passed and one day Matt reached out to me and asked if I was interested in applying towards the storyboard apprenticeship program. I was happy he had reached out but also conflicted because I was focused on character Design and not story. But I took the “Leap of faith” and said yes. I had about 1-2omths to work on a storyboard portfolio. I was freaking out and stressed, for the next few weeks I did everything I could to learn about boards, references and thing of a story to tell for my portfolio. Once I wrapped that up, I applied and hoped for the best. A couple of weeks later, I was told I was accepted for an interview at the studio, and after that I received a call asking if I wanted to be part of the program and I said YES. I was ecstatic! I couldn’t believe it was actually happening.
I joined the program in 2018 and it lasted a yearlong and it was the most fun and exciting experience. Though I felt like I was thrown at the deep end of the pool, I wasn’t alone. I got to work with such talented artists in the program with me, Allen Ostergar, Alishea Gibson, Hillary Bradfield and Morin Halperin. I learned so much from each of them and it was awesome to see a diverse group with different backgrounds pushing each other to learn as much as we could about storytelling. Also, some of the most talented and well-known artists became our mentors. Michael Herrera was my mentor and taught me so much. He pushed me to do my best and always was so encouraging and patient with me. After a year of training, the apprenticeship wrapped up in 2019 and it was time for my next adventure.
I was unemployed for about three months, but it wasn’t long till Sony reached out to me about a possible job opportunity working as a story artist. I had always admired Sony animation films and loved how fun and animated their stories so I was very excited. I later find out that the position was for the sequel on Spider-Verse! I owe many thanks for Miguel Jiron for passing my work along and be part of the Spidey team. I was so thrilled to be working with some incredible people like our Directors Justin Thompson and Joaquim Dos Santos, the story crew and art department have been such an inspiration and I am learning so much with this incredible team. I still can’t believe I have been so lucky to experience so much in such little time. I am very thankful for all the support I have had along the way from my friends, family, mentors, instructors who have been pushing me to do my best. I am forever grateful for everyone who has had faith in me becoming an artist because if it wasn’t for their endless support and motivation, I wouldn’t be where I am today.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect? The challenges came from the choices I made from the get go. Since I didn’t take the traditional art school path, I had to find my own sources, community and classes. Post-Graduation, I started to work at Starbucks as a barista. I really enjoyed that time there because I was able to expand my communication skills and customer service. Though I enjoyed making latte foam art on customer drinks, I would daydream and wish I was at home drawing, working on my portfolio. There were days where I just felt defeated and time was just passing me by. I would spiral to think that perhaps it was a mistake that I didn’t attend Art school and things would have been easier? I kept feeling this pressure from my parents to make them proud even though they have been supportive of my career path, I still didn’t want to let them down.
What really helped to keep myself motivated was attending Speaker events, whether it be at Cal State Fullerton or gallery events and Workshops. As things started to look up when I started the Story Apprentice program at Disney, it was another challenge. Since I started college, my goal was to work as a Character Designer, I mean I really liked every aspect of the animation pipeline but creating characters was my sweet spot. So, when this opportunity came to me, it felt like I was thrown into the deep end of the pool. I had only learned how to “float” and there was so much for me to learn about being a Story artist. I feel very fortunate to have had a great mentor along the way to help me understand and have a voice with my art. I feel very blessed to have these opportunities come my way, but I will say that each one comes with their own challenges and obstacles that help us learn and grow as artists.
Thanks for sharing that. So, maybe next you can tell us a bit more about your work? I am a Character Designer and Story artist working in the Animation industry for Film & T.V.
I specialize in creating Character Design and Stories that have emotion, energy and giving characters life. I like to exaggerate emotions with drawings and it’s fun to see how people connect with these designs.
I am known for drawing lots of animal character designs and illustrations. I have a lot of fun learning about animals and creating characters, whether it be that they are drinking coffee or skateboarding.
I am most proud of how far along I’ve come. Being a First-Generation Queer Mexican-American Women, I feel blessed to have these opportunities come my way. I am always so great full for those who have believed in me and that my work has impacted them in some kind of way.
Are there any important lessons you’ve learned that you can share with us? I would say the most important thing I have learned along my journey is taking that “leap of faith”. There were times that I was just afraid of failing or not trying something because I felt that I was not ready for it. It is not easy but you have to follow that gut feeling.
Police are searching for a gunman after a 6-year-old boy on his way to school was shot and killed during a road-rage attack on the 55 Freeway in Orange on Friday morning, May 21, the California Highway Patrol said.
The boy’s mother was driving a silver Chevrolet Sonic north on the 55 Freeway near Chapman Avenue at about 8 a.m. when her car was hit by gunfire, said Officer Florentino Olivera, a CHP spokesman.
The boy, in a booster seat in the back seat, was struck. He was taken to Children’s Hospital of Orange County in Orange, where he died, Olivera said. His family lives in Costa Mesa.
The woman was not reported injured. She was the only other person in the car.
The shot came from a newer white sedan, possibly a “Volkswagen wagon sedan,” that fled north on the 55 and was still being sought, Olivera said.
“It’s an isolated road-rage behavior,” he said.
Reyes and Joanna Valdivia of Orange had just dropped off their two children at school and entered the freeway when they saw the Chevrolet on the shoulder near Chapman Avenue.
“My wife noticed a lady pulling her son out and dropping to the ground with her son in her arms,” Reyes Valdivia said.
When they stopped to help, Valdivia said, the woman told them that she had “flipped off” the driver of the white sedan after the driver cut her off in the carpool lane.
The woman told Valdivia that when she moved to the right, the white sedan, with a man and woman inside, slipped in behind her and someone opened fire, Valdivia recounted.
Olivera would not specifically describe the incident.
Valdivia said there was a bullet hole in the trunk and that the boy appeared to have been shot in the back. Other good Samaritans pulled over to help, including an off-duty police officer who performed CPR on the boy, Valdivia said.
Joanna Valdivia said the woman, “walking aimlessly” on the freeway shoulder, appeared to be in shock.
“She was hysterical, screaming,” she said.
Relatives said the boy’s name was Aiden, and his death has devastated the family.
“My mom, there was a road-rage on the freeway, and someone pulled out a gun and shot my little brother in the stomach,” the boy’s 15-year-old sister, Alexis Cloonan, told reporters.
“He was only 6, and he was so sweet,” Alexis said through tears. “He was a very, very loving boy. So please, help us find who did this to him.”
The boy’s uncle, John Cloonan, said the family wanted to speak out so the shooter “can see what you’ve done to this family.”
Investigators formed a line the width of the freeway, searching for evidence of the shooting, as traffic was diverted off the northbound 55 to the westbound 22 Freeway. The 55 reopened at about 11:30 a.m.
Mindy Daffron, a crisis team manager with the Orange County chapter of the Trauma Intervention Program, which provides resources to victims of crimes and fires, said her organization was assisting the family.
Olivera was emphatic that Friday’s shooting was not related to the gunfire that has traumatized freeway motorists in the past couple of months. At least 50 cars have been shot at with BB or pellet guns, leaving bullet holes and smashed windows, mostly along the 91 Freeway in Riverside and Orange counties.
Those incidents were different in that motorists did not engage one another before shots were fired, the CHP has said.
The CHP has expanded its patrols as a result of those incidents but has not announced any arrests.
Olivera asked that anyone who was traveling the northbound 55 between the 22 and Chapman from 7:55 a.m. to 8:15 a.m. on Friday who saw anything out of the ordinary or who has dashcam or cellphone video call Investigator Kevin Futrell at the CHP Santa Ana office at 714-567-6000.
A family member of the boy has set up a GoFundMe account.
Casey Redd was 14 when she began going to shows put on by popular indie-rock label Burger Records. The concerts, featuring contemporary garage and punk bands, were often all-ages, and a swell of excited teenage girls would be in attendance.
Three years later, when Redd was 17, she says Phil Salina, the then-29-year-old singer of the Portland-based goth-pop duo Love Cop, had sex with her in the back seat of her car. He told her to meet him at the far corner of the parking lot at the Burger Records store in Fullerton, she says, then instructed her to drive a few blocks away to a darkened neighborhood where she alleges the statutory rape took place. (The age of consent in California is 18.)
A few days later, they again had sex outside of a house show in Pomona, she says.
“I felt confused and violated,” she says, adding that it took time, reflection and therapy to come to terms with what happened to her in 2013. “For years, many years, I didn’t really talk to anyone about it — I felt really ashamed — I felt like it was my fault for engaging with him in the first place.”
She did tell one of her close friends about her sexual encounters with Salina. That friend, who regularly attended Burger Records shows with Redd, corroborated Redd’s story to The Times in a phone interview.
The Times, however, reviewed texts that Salina sent to Redd after she went public with her accusations. In them, Salina apologizes and expresses remorse, writing, “I won’t ever be allowed to play music again and that is fair.” He also wrote that he didn’t think of their relationship as abusive at the time but that he now understands that it was wrong.
Redd went public with her experience last summer, sharing her story on her personal Instagram page and soon after on a page she created called Lured_By_Burger Records, which posted accusations about men in the Burger scene from other female fans and artists. The page quickly accumulated thousands of followers, spurring online outrage, national media coverage and public apologies from many of the accused musicians.
Within a week, the label ceased operations completely, prompting a long-overdue reckoning about the prevalence of sexual abuse in Southern California’s underground/DIY music scene.
One of Burger’s owners, Sean Bohrman, declined to be interviewed for this story. The other, Lee Rickard, did not respond to a request for comment. But Bohrman acknowledged in an interview with Seattle radio station KEXP after Burger’s collapse that the label — which published recordings by nearly 1,200 bands during its 13 years in existence, in addition to hosting concerts and festivals and running a record shop in Fullerton — did not scrutinize the personal behavior of the musicians with whom it worked. And it’s not clear that management was paying attention to the exploitative sexual dynamics of the scene Burger fostered.
As the allegations emerged, the label issued a statement that read in part: “We extend our deepest apologies to anyone who has suffered irreparable harm from any experience that occurred in the Burger and indie/DIY music scene.”
But the problems did not involve Burger musicians alone. The Times interviewed nearly two dozen women who detailed varying degrees of sexual abuse and harassment by musicians in Southern California’s indie rock scene during the past 15 years.
A number of women spoke on the record; others chose to remain anonymous, either because they feared reprisal or had already experienced it after posting their experiences online.
Burger Records was founded in 2007 by Bohrman and Rickard, in part to release music from their own band at the time, Thee Makeout Party. Burger championed catchy, homemade power-pop, surf-rock and bubblegum punk. It opened a record shop in Fullerton in 2009 and Bohrman and Rickard lived there, washing their hair under a spigot in the alley and running the label out of the back. The shop soon became a popular gathering spot for music fans.
As Burger grew, the label hosted a slew of popular shows and festivals around Southern California including Burger-a-Go Go, which paid tribute to all-female-fronted bands, and the two-day Burgerama, which annually drew thousands of fans and featured eclectic lineups of dozens of underground garage bands and indie rock giants including Weezer, Ariel Pink, Fidlar, the Spits, Ty Segall, Roky Erickson and Gang of Four.
Burger’s reputation was burnished internationally in 2014 when fashion design house Yves Saint Laurent featured the label’s music in Paris runway shows.
An all-ages ethos was key to Burger’s identity. Young fans, including those in high school, often mingled with older fans and musicians. Many women interviewed by The Times described rampant drug and alcohol use, even at shows where alcohol was not for sale.
The label did not follow a traditional business model. It didn’t sign bands or negotiate contracts. It just reached out to bands it loved and released mostly limited-edition runs of cassette tapes, leaving it to other labels to court the musicians it championed. It also made money from the concerts and festivals that it convened.
At first, Redd felt at home among Burger fans and bands, and in the spaces they occupied. All-ages shows were held in warehouses, the record shop and a large venue called the Observatory in Santa Ana. The Fullerton store was painted a bright key-lime green and featured a highly cultivated sense of graphic design characterized by a zany, cut ‘n’ paste punk aesthetic in bold primary colors (Bohrman minored in graphic design and cranked out the labels’ merch). The store was filled with buttons (“I’m a Burger Girl,” was one), stickers and posters, many featuring vintage-inspired, punk-themed cartoons. There was a back room where musicians, staff and customers sometimes gathered. It felt, say many of the women who hung out there, like a high-school clubhouse.
“In their marketing, they described themselves as perma-teens,” recalls Redd of Burger Records.
Redd says she began to regularly receive messages from some of the men in bands whose accounts she had followed on social media.
When Love Cop’s Salina first reached out to Redd, she was 17. Salina was working as a mental-health counselor in Portland specializing in addiction. Redd’s family had a troubled history with drugs and addiction, and she came to trust Salina. She says they talked nearly every day.
“He knew the trauma that I carried and … my age and vulnerability. It was definitely a grooming relationship,” Redd says, recalling how lonely, depressed and anxious she was at that time. “We would talk about cats and music. He was one of the very few adults I felt seen by.”
Months later, Salina came to Orange County to play a Burger show and invited Redd. It was her first time driving on the freeway when she crossed county lines from her hometown of Corona to Fullerton where she says their first sexual encounter took place.
Afterward, Redd alleges, Salina messaged her often, asking for nudes and sexual photos. For the most part, she ignored him but sometimes she engaged with him, not fully understanding how inappropriate the situation was.
Redd stopped going to Burger shows when she was 18, but at that point she says she already knew several other underage teenage girls who had been abused by adult men in the scene.
Redd is now 24 years old. She is a longtime vegan and animal rights activist with a soft but firm voice and a thoughtful, straightforward way of speaking. She says that over the years, not a day went by that she didn’t think about the fact that she was not alone in her experience.
That fact became painfully clear during the summer on July 15 when Clementine Creevy, the frontwoman of Cherry Glazerr, which released its debut album through Burger, posted a statement on Instagram accusing Sean Redman, the bass player of another Burger-affiliated band called the Buttertones, of starting a sexual relationship with her when she was 14 and he was 20. That relationship, she wrote, was also emotionally abusive.
Similar stories from dozens of women soon began pouring into Redd’s direct message box, she says. Many of the accusations of rape, sexual assault, abuse, harassment and grooming were about Burger bands, and many were about the local underground music scene in general. Redd found herself spending up to 18 hours a day on the site, fielding comments, posts and allegations. She says the experience was emotionally and physically overwhelming.
As scrutiny of Burger intensified, other women spoke out and bands began to fall. Lydia Night, the singer of The Regrettes, accused SWMRS drummer Joey Armstrong (son of Green Day’s Billie Joe Armstrong) of sexual misconduct and coercion, beginning when she was 16 and Armstrong was 22. SWMRS released music through a variety of labels, including Burger. Armstrong posted an apology on Instagram, adding that he didn’t agree with some of the things Night said about him, but that, “it’s important that she be allowed to say them and that she be supported for speaking out.”
On July 21, Burger co-founder Lee Rickard stepped down from his role as label president and divested all interest in the label.
The label issued a statement that read in part that it was “deeply sorry for the role Burger has played in perpetuating a culture of toxic masculinity.”
Five days after Redd’s first Lured_By_Burger_Records post, Burger folded completely, taking with it the operation’s entire digital footprint. Bohrman capped his announcement of the company’s dissolution to a Pitchfork reporter with a Porky Pig GIF: “That’s all folks.”
John Upton, one of the founders of the well-respected photography department at Orange Coast College who taught there for more than 40 years, died on Dec. 7 in Petaluma. He was 88.
Upton died due to complications from lung cancer, the school announced.
A former San Clemente and Laguna Woods resident, Upton had moved to Petaluma two years ago to be closer to his family, his daughter, Sean, said.
“He always had an eye for photography,” Sean Upton said. “The day that I drove him to the hospital, which was just two weeks ago, he was looking out the window appreciating places that he may photograph someday. So, he was always looking through the eye of the lens of the photographer.”
John Upton was born in Iowa and moved to the San Fernando Valley when he was 5 years old, his daughter said. He went to art school in San Francisco, at the California School of the Fine Arts, studying with contemporaries like Ansel Adams and Edward Weston before he was drafted into the U.S. Army during the Korean War in 1953.
Upton came back to Southern California and became a faculty member at Orange Coast College in 1960. He retired in 1999 but continued to teach a gallery class part time for several years.
Upton and his then-wife, Barbara London, published the influential college textbook “Photography” in 1976. There are more than 1.5 million copies in print.
“Things that other people see as common knowledge, John would sort of miss,” said OCC Photography Department Chair Blade Gillissen, a student of Upton’s at the junior college in the 1990s. “He was so tuned into photography. I remember one day trying to talk to him, back when the [Los Angeles] Lakers started doing better again with Kobe [Bryant] and [Shaquille O’Neal]. And he had no idea who I was talking about.”
The gallery class provided joy for Upton later in his life. Gillissen said he and Upton would each drive a van full of students to art galleries and museums throughout Southern California on Saturdays, with Upton acting as a docent.
“I haven’t offered it since he stopped teaching it,” Gillissen said. “I don’t know anyone off the top of my head that could teach it like he did it.”
Sean Upton called her father one of the premier art historians in the U.S. Last January, Orange Coast College opened a survey exhibition of his fine art work at the Frank M. Doyle Arts Pavilion on campus. The exhibit ran until mid-March, when the school was shut down due to the novel coronavirus pandemic.
The survey had selections from four main bodies of work: early work, “Japanalia,” “Jungle Road” and the more recent “Petaluma.” John Upton was an avid fan of Asian art and culture and would visit Japan yearly for decades, Sean Upton said.
The exhibition was curated by Tyler Stallings, director/senior curator at the Doyle.
“He was mainly known as an educator, for the book and what he did for the photography department at OCC,” Stallings said. “He’s always been making work, but as a busy teacher, he didn’t always have the time to get his work out there. That was the angle of the show.”
Later in his life, Upton also collaborated with longtime friend and part-time OCC Photography Department instructor John Hesketh, who would print his photography.
“John was one of the sweetest and most giving people around,” Hesketh said. “I had a commercial father of photography [Dean], and John was kind of my fine art father of photography. He was very, very dedicated to photography itself and what it meant to be a fine art photographer, or an artist that was lens-based … He was like this elder statesman that represented photography in its best, kindest way. He was very generous in encouraging other people to do what they could do.”
A woman shopping in Orange County, California has become the latest target of anti-Asian racism amid the COVID-19 pandemic.
The incident, which was caught on video, reportedly occurred outside a Sephora store at The Market Place in Tustin and Irvine.
In the video posted on Instagram and Reddit, a man can be seen hurling anti-Asian racial slurs while a female companion sarcastically says “bye” to the camera.
The man has since reportedly been identified as Brian Kranz, a fitness instructor in Irvine, California who runs Red Fitness. His female partner—who is seen smirking throughout the incident and even smugly taunts the victim with a “bye”—has been identified as Janelle Hinshaw.
The Asian woman reportedly recalled how the incident started inside the store after the staff asked the pair to wear face masks.
“These people were standing after me in the line at Sephora. They didn’t have masks on before the staff requested so. But then [they] refused to keep social distancing from me. Sephora staff was doing a good job directing me to stand in another line,” a Nextdoor user, who claims to be the woman behind the camera, wrote.
The woman eventually finished shopping and returned to her car. That’s when Kranz followed and began making racist remarks.
“Why don’t you stay at home? Are you that dumb? You want to photograph me?” he says before charging toward the woman, who then retreats in her car.
“Exactly! Get in your car, stupid g**k. Go back to f**king [unintelligible].”
Brian Kranz returns to his Jeep and continues his tirade before driving away.
“Are you really that stupid? You know that recording doesn’t do anything,” he tells the woman. “Stay home. And thanks for giving my country COVID. Have a great day.”
Kranz is a trainer licensed by the National Academy of Sports Medicine (NASM), and many on social media called for his license to be revoked. Many also tagged Hinshaw’s current masters’ program at Azusa Pacific University to revoke her license as a psychologist working with teens.
Given both Kranz and Hinshaw’s work requires working with the public at large, it was of concern to many how they would treat their clients of Asian descent.
The backlash has been immense. After reportedly deactivating their LinkedIn and Instagram pages, they faced backlash on other platforms.
According to his LinkedIn page, Hilbrant works as a “financial professional” for Prudential Advisors and can “provide assistance on a range of financial issues-from evaluating insurance needs to helping clients grow their assets.” On Tuesday, Sept. 15, LinkedIn and Facebook profiles associated with Hilbrant were deactivated.
The incident happened at Bluewater Grill in Newport Beach, California over the weekend when Chang was having lunch with her sister. Hilbrant made eye contact with Chang while he was heading to the bathroom and allegedly told her to “go back to Wuhan.”
“Once he returned, we asked him why he would say that and he goes ‘I don’t speak Chinese, I don’t know what you’re talking about,’” Chang said in her Instagram post. “I’m so disgusted. If you see people practicing this sort of behavior. REPORT THEM.”
Hilbrant was reportedly asked by a staff member to leave the restaurant but didn’t leave immediately.
“I believe he personally knew the waitress who was serving him, because she gave him a hug before they left,”Chang said. “They were chatting for a bit so it took awhile for them to leave.”
“We understand that some feel there was a lack of urgency in removing this patron from the premises,” the statement continued, “However, the safety of all our customers and staff is our utmost concern and we wanted to make sure this situation did not escalate and become hostile.”
Bluewater Grill continued to note that it took the customer 10 minutes before he could pay for his bill and leave the premises as well as the hug that happened between him and one of the staff.
“Within 10 minutes the person paid their bill and left the premises. There is also mention of the customer hugging our employee, and we would like to make it clear that this was unsolicited and occurred before our employee was made aware of the situation.”
“After the patron left, we made sure that our guests were comfortable and well taken care of. The patron in question is no longer welcome at Bluewater Grill.”
Bluewater Grill, which has been in business for 24 years, said they pride themselves “on our customer service, diverse staff and commitment to a safe environment free of racism or harassment.”
“We do not condone prejudice or racism in any form. This includes remarks made by customers which we cannot control. We take matters like this seriously and are disgusted that any guest would be subjected to an insensitive remark by another guest.”
Prudential Advisors told NextShark, “Prudential has zero tolerance for discrimination and takes these allegations very seriously. This matter will be investigated to the fullest extent possible and appropriate action will be taken, as warranted.”
A lineup you won’t want to miss out on! We are so excited to welcome Loose Leaf Boba to the market, their boba is made with real ingredients and they have a culturally inspired menu that’ll keep you coming back for more. Their “Soft Opening” hours are happening now through September 11th. Visit them 7 days a week from 12pm-8pm. September 12th will be @looseleafboba GRAND OPENING day where 100% of profits from that day will go towards Feeding America. To top it off, they will also be having a Chinese Lion Dance Show, first 100 people get 1 free Original Milk Tea or Thai Tea or 1/2 off any other drink, next 50 guests can get any drink 1/2 off, and so many more deals so stay tuned!