China Mac joins the show to discuss Asian Hate and race relations in the urban community amidst his drama with Charleston White.
In this exclusive clip from “Retrospective” with ECW legend Rob Van Dam, “The Whole F’n Show” explains how to build up a wrestling career in WWE, navigating the politics with the McMahon family, taking care of ‘the guys’ to earn your opportunity, and Shane McMahon telling RVD ‘the one thing’ he fell short on in getting a push while John Cena was on hiatus from the company.
A woman shopping in Orange County, California has become the latest target of anti-Asian racism amid the COVID-19 pandemic.
The incident, which was caught on video, reportedly occurred outside a Sephora store at The Market Place in Tustin and Irvine.
The man has since reportedly been identified as Brian Kranz, a fitness instructor in Irvine, California who runs Red Fitness. His female partner—who is seen smirking throughout the incident and even smugly taunts the victim with a “bye”—has been identified as Janelle Hinshaw.
The Asian woman reportedly recalled how the incident started inside the store after the staff asked the pair to wear face masks.
“These people were standing after me in the line at Sephora. They didn’t have masks on before the staff requested so. But then [they] refused to keep social distancing from me. Sephora staff was doing a good job directing me to stand in another line,” a Nextdoor user, who claims to be the woman behind the camera, wrote.
The woman eventually finished shopping and returned to her car. That’s when Kranz followed and began making racist remarks.
“Why don’t you stay at home? Are you that dumb? You want to photograph me?” he says before charging toward the woman, who then retreats in her car.
“Exactly! Get in your car, stupid g**k. Go back to f**king [unintelligible].”
Brian Kranz returns to his Jeep and continues his tirade before driving away.
“Are you really that stupid? You know that recording doesn’t do anything,” he tells the woman. “Stay home. And thanks for giving my country COVID. Have a great day.”
Kranz is a trainer licensed by the National Academy of Sports Medicine (NASM), and many on social media called for his license to be revoked. Many also tagged Hinshaw’s current masters’ program at Azusa Pacific University to revoke her license as a psychologist working with teens.
Given both Kranz and Hinshaw’s work requires working with the public at large, it was of concern to many how they would treat their clients of Asian descent.
The backlash has been immense. After reportedly deactivating their LinkedIn and Instagram pages, they faced backlash on other platforms.
The two albums’ early 90s photographs are highly personal to Lamar, but have a familiarity to the beholder as well
In 2012, good kid, m.A.A.d city brought hip hop’s finest new storyteller to the attention of the masses. Kendrick Lamar’s major label debut tells the story of a kid growing up in Compton, Los Angeles, circumnavigating the pitfalls of gang life, whether by accident or design. The cover art meanwhile provides two stories, perhaps offering us a glimpse into an alternative future.
It’s a cinematic roman-à-clef that comes at you out of sequence—memory isn’t linear, after all—and the two photographs chosen for two editions of the album conjure up different but connected memories from the immediate past: one is a family scene from a kitchen, and the other, a van sitting in the driveway of Lamar’s old house. While personal to the artist, these pictures from the early ’90s have a familiarity to the beholder too, even if they’re not our own memories.
Exhibit one, for the initial 12-track release, is a picture we’re to assume is of the baby Kendrick surrounded by three older figures who may be relatives. According to Marcus J. Moore’s excellent new biography The Butterfly Effect: How Kendrick Lamar Ignited The Soul Of Black America, that is indeed Lamar in diminutive form, with two teenage uncles and his grandfather sitting to his left. In an interesting visual twist, the eyes of these other figures are blacked out with identity-obscuring oblongs, while the toddler—who you’d expect to be the protected party here—stares into the lens. A few years after this photo was taken, Kendrick, aged just five, would witness a teenage drug dealer gunned down before his eyes, and the year before, he’d seen mass rioting in the streets following the infamous attack on Rodney King by LAPD officers.
On closer inspection, the photograph is communicating dangers via signifiers, such as a bottle of alcohol sitting on the table—something he’ll addressed on ‘Swimming Pools (Drank)”; meanwhile, the uncle whose lap young Kendrick is sitting on is throwing a surreptitious gang sign with his left hand. Potential downfalls are hiding in plain sight in a picture as symbolically rich as Holbein’s The Ambassadors. “That photo says so much about my life and about how I was raised in Compton and the things I’ve seen,” said Lamar.
Exhibit two, mounted on the cover for the deluxe version of good kid, m.A.A.d city, is not as easy to read. Lamar’s mother’s van, parked on the street in front of their family home, appears on the cover, shot through a fisheye lens. Intriguingly, while this photo offers less in the way of visual portents, the house itself has become a shrine to fans. Type “Good Kid M.A.A.D City House” into Google Earth and you’ll find the rapper’s childhood home in Compton, and pictures of fans assembled outside like they’re at Graceland. Furthermore, scrawled under the battered Chrysler are the words “a short film by Kendrick Lamar,” adding to the hauntological vibrations.
“I fought not to have that on the cover!” says designer Don Clark on a Zoom call from his Seattle office. Clark set up the design agency Invisible Creature with his brother Ryan in 2006. “At the beginning I felt a photo of a minivan wasn’t worthy of an album cover, but I’m not always right. Because then his art creates this thing that becomes greater than any of us. That’s the sweet spot I love when working with other artists, when it takes on a life of its own.”
Clark was initially reluctant to talk about good kid, m.A.A.d city because of his lack of conceptual input into the design. Invisible Creature took 4×6 photos supplied by Lamar and scanned them, adding crease marks to the corners to give the packaging a more distressed appearance, and then superimposed the pictures onto various textures until they found a background that most resembled an old Polaroid. But otherwise, the direction all came from Lamar himself. Within the space of a five-minute conference call, the musician, who was just making a name for himself at the time, had laid out exactly what he wanted in fine detail. His objectives were clear for every inch of good kid, m.A.A.d city, visually and audibly.
There are ten polaroid photos laid out across the deluxe gatefold edition, again all chosen in sequence by Lamar. Clark also disapproved of the graffiti-style font at the base of the sleeve, but he’s willing to concede that that cover has become a fan favorite, and that it has an enigmatic quality, too: mystery, after all, is in short supply these days as cover art becomes utilitarian and avatar-like, a one inch box on a tiny smartphone screen to click on or swipe away.
The alternative 12-track cover still makes more sense to Clark though, and a couple of serendipitous details add to its ability to communicate: the Parental Advisory sticker is analogous to the photo’s message, and use of the black strips across the eyes of the adults was actually at the insistence of the label. “That was more of a legal thing,” says Clark. “Interscope and the family wanted to do that to obscure their likenesses.”
Other than obfuscating the identities of the grownups in the room, Interscope was happy to allow their new signing complete artistic freedom to unleash his vision, a gamble that obviously paid off given that Kendrick Lamar is one of the most acclaimed rappers of all time, a state of affairs that really began with good kid, m.A.A.d city.
“From the beginning they let him do what he wanted,” says Clark. “He was also [Dr.] Dre’s guy and I think that had a lot to do with it. That’s another amazing thing about him in that he doesn’t care what people will think and his art speaks for itself, and I appreciate that audacity.”
Source: AIGA Eye On Design
Philadelphia City Council voted Thursday to apologize for the MOVE bombing 35 years ago that left 11 people dead, including five children, and burned 61 homes in West Philadelphia.
The resolution, approved almost unanimously (Councilmember Brian O’Neill said he opposed it), represents the first formal apology offered by the city for the May 13, 1985, bombing. It also establishes the anniversary of the bombing as “an annual day of observation, reflection and recommitment.”
Councilmember Jamie Gauthier, whose West Philadelphia district includes the neighborhood destroyed by the bombing, sponsored the resolution. She introduced it days after the fatal police shooting of Walter Wallace Jr. less than a mile away from the site of the bombing. She linked the two events in a speech to City Council last month.
“We can draw a straight line from the unresolved pain and trauma of that day to Walter Wallace Jr.’s killing earlier this week in the very same neighborhood,” Gauthier said. “Because what’s lying under the surface here is a lack of recognition of the humanity of Black people from law enforcement.”
In 1985, police dropped an explosive device on the roof of 6221 Osage Ave. after a daylong confrontation with the Black radical and naturalist group MOVE, as officers attempted to evict them from their compound. The majority of the victims were Black.
W. Wilson Goode Sr., who was mayor at the time, called on the city to issue a formal apology in an op-ed published by The Guardian before the 35th anniversary. “The event will remain on my conscience for the rest of my life,” he wrote.
Source: The Philadelphia Inquirer
This year, Halloween will coincide with a lunar event known as a blue moon (a second full moon in the same month). To celebrate this spooky coincidence, Denny’s has unveiled a special meal that will scare the blue out of diners.
On Oct. 31, Denny’s will serve a special blue-hued version of its popular Moons Over My Hammy sandwich, which will be made with blue sourdough bread sandwiching more recognizable ingredients.
But don’t expect to stroll into just any Denny’s and order a Blue Moons Over My Hammy. The sandwich will be available at select restaurants in Miami-Dade county, and only on Halloween.
Source: Fox News
The latest clip showed MBNel explaining the line, “I’m dying for my family, give a f*** about this rap sh**,” from his track “In My City.” The Stockton rapper then broke down all of his face tats except for the cross on his left cheek.
The conversation transitioned back to his family and he described what his immigrant mother thinks of the direction he took in his life. According to Nel, many immigrant parents take a risk by fleeing poverty to move to America and provide more opportunities for their children. Because of this, they expect their children to go to college and join the workforce. The clip concludes with MBNel talking about wanting a better life for his daughter.
R.A. The Rugged Man presents the official music video for “Wondering (How To Believe)”, the latest single from his new album “All My Heroes Are Dead”. Featuring singer David Myles, the song is a heartfelt display of vivid, powerful storytelling, addressing abuse, addiction, and loss. “All My Heroes Are Dead” is now available worldwide.
“When I think about the police, I’m such a blessed person,” she said. “I’ve come to realize especially today that I think of [the police] as a protection agency, and unfortunately, this has caused me to realize that there are so many people in this country that don’t have that luxury.”
She later told CNN that she was “scared” when Christian Cooper tried to offer her dog a treat.
Source: Business Insider
R.A. The Rugged Man presents the official music video for “The Introduction”, the opening track off his brand new album “All My Heroes Are Dead”. Now available worldwide, the album features appearances by Chuck D of Public Enemy, Ghostface Killah, Slug of Atmosphere, Immortal Technique, Ice-T, Brand Nubian, Vinnie Paz, Inspectah Deck, M.O.P., Kool G Rap, DJ Jazzy Jeff, A-F-R-O, Chris Rivers, Onyx, Chino XL, Masta Killa, and more.