Bill talks about watching the Celtics Game 7 against the Miami Heat, thinking the NBA is lowkey rigged and the refs having too much power, whether or not he has trouble being happy, performing at Fenway Park, throwing out the first pitch at a Red Sox game, being a “Jeopardy” clue, getting his pilot’s license, directing a feature film called Old Dads, and his Slight Return stand-up tour.
In this clip, Brother Marquis spoke about the groundbreaking Supreme Court ruling in favor of 2 Live Crew that made parodies fair use. He discussed the gravity of such a ruling and the lasting implications in today’s media/music landscape that thrives off parodies as a source of content.
Lol this is too much work for one person. Triller/Verzuz wants a combo candidate who can code, design, and edit videos (a unicorn). And if they find one are they even good at all 3. The last guy or gal probably lost their mind and that’s why there’s an opening again.
In this episode of My Life Online, we dive into the life of Amouranth, one of the most-watched women on Twitch, who rakes in 1.5 Million Dollars a month. Kaitlyn Siragusa, aka Amouranth, spent 60% of the last 5 years (that’s 1055 days) live streaming and often live streams for 14 hrs straight – gaming, dancing, talking to fans, licking microphones and even sleeping. Because her content is considered to be sexually risque, she often gets trolled, swatted & banned but she does her best not to listen to the haters and works tirelessly on her media empire. Every minute she spends online gets her closer to her ultimate goal of building an animal sanctuary– but she struggles with chronic fatigue, overall deteriorating mental health, and perpetual loneliness — is it worth it?
Former NBA world champion Paul Pierce and ESPN reportedly parted ways this week after the basketball analyst shared a video of himself with exotic dancers on Instagram Live. The video was widely shared across all social media platforms, which prompted the former NBA Finals MVP and ESPN to sever ties.
According to Jorge Alonso, the adult site CamSoda has offered Pierce the chance to live stream an NBA show with exotic dancers.
The offer letter read: “Dear Paul Pierce, I saw the news that you have parted ways with ESPN after you posted a video to social media of yourself with exotic dancers. Being that you are now unemployed, I would like to extend you a position at CamSoda as our first-ever ‘NBA Analyst.’ As our NBA Analyst, you would be required to stream yourself live on our platform every week night and discuss happenings around the NBA. Inside the NBA be damned. Here at CamSoda, we champion exotic dancers, cam girls and sex workers. We would be more than happy to accommodate your penchant for women and you’d be free to stream with them while they twerk in the background and more. We’d be willing to extend you an offer of up to $250,000.”
Since his playing career ended in 2017, Pierce has been working as an on-air analyst for ESPN. Pierce, a 10-time NBA All Star, has become known for providing some odd, fairly hot takes and certainly provides entertainment value.
Michael McCarthy of Front Office Sports reported on Monday that Pierce and ESPN have “parted ways” after he posted the video of himself with exotic dancers on his Instagram account.
“ESPN and NBA Legend Paul Pierce have parted ways, according to sources,” McCarthy wrote on Twitter. “Pierce posted videos of himself with exotic dancers on Instagram Live Friday night. Pierce has played a key role on ‘NBA Countdown’ + other ESPN basketball programming. ESPN declined to comment.”
Pierce had not released an official statement or commented on the matter to reporters as of early evening on Monday. He did, however, appear to offer a reaction to the move via Twitter and hinted at an imminent landing spot.
Pierce played 15 of his 19 NBA seasons with the Boston Celtics and averaged 19.7 points on 45% shooting for his career. He was the No. 10 pick in the 1998 NBA Draft out of Kansas and also played for the Brooklyn Nets, Washington Wizards and Los Angeles Clippers late in his career. The Naismith Memorial Basketball Hall of Fame recently named Pierce as one of 14 finalists for its 2021 class, and he seems like a strong bet to be inducted as a first ballot Hall of Famer.
“Just to be recognized — if I do make it — just to be recognized in basketball lore forever,” Pierce said on ESPN’s “The Jump” via Boston.com. “When I’m long gone and away, I’ve always said — look, the Hall of Fame is forever, and having my number hung up in the Boston Garden is forever. So it’s a true honor if it were to happen. I’m blessed that I was able to put time in on my craft.”
MF Doom, the cerebral and willfully mysterious rapper and producer beloved by hip-hop connoisseurs for the complex rhymes he delivered from behind a metallic mask, has died. He was 49.
His death was announced Thursday in an Instagram post signed by his wife, Jasmine, who said that Doom had “transitioned” on Oct. 31. A spokesman for Rhymesayers, a label for which Doom recorded, confirmed his death. No cause was given.
Known for close collaborations with producers such as Madlib and Danger Mouse — and for his use of a variety of alter egos including King Geedorah and Viktor Vaughn — Doom, born Daniel Dumile, cut a proudly idiosyncratic path through rap music in the 1990s and 2000s, burrowing deep into a self-made comic book-style mythology even as hip-hop reached increasingly commercial heights in the pop mainstream.
His music was dense but funky, gloomy yet streaked with an off-kilter sense of humor; his records helped clear a path for younger hip-hop eccentrics like Playboi Carti and Tyler, the Creator.
“My soul is crushed,” Flying Lotus tweeted Thursday, before adding that 2004’s “Madvillainy” album was “all u ever needed in hip hop.” On Instagram, El-P of Run the Jewels thanked Doom “for keeping it weird and raw always.”
Of his decision to perform in a mask, Dumile, who was born in London and grew up on Long Island, told the New Yorker in 2009, “I wanted to get onstage and orate, without people thinking about the normal things people think about. Like girls being like, ‘Oh, he’s sexy,’ or ‘I don’t want him, he’s ugly,’ and then other dudes sizing you up. A visual always brings a first impression. But if there’s going to be a first impression I might as well use it to control the story. So why not do something like throw a mask on?”
Reddit has acquired Dubsmash, the lipsyncing video app which launched in 2014 and was largely supplanted when TikTok showed up.
Announced via Reddit’s blog on Sunday, the annexing of Dubsmash’s 12-person team to Reddit’s 700-strong horde is the popular website’s first major acquisition in its 15-year history.
While the financial terms of the agreement haven’t been disclosed, Dubsmash will be keeping its own platform and separate branding. Dubsmash’s Android and Apple apps will continue to operate as normal, with its video creation tools simply integrated into Reddit’s infrastructure.
Reddit currently allows users to upload and livestream videos, however its editing capabilities are somewhat lacklustre — a problem this acquisition hopes to address.
“The transition to video will be bigger than the transition to mobile,” Reddit co-founder and CEO Steve Huffman said, speaking via the Wall Street Journal. Which sounds fake, but okay. Pivots to video historically haven’t worked out well, but perhaps the distinction between editorial and user-created content will yield better results.
Dubsmash went through a slow decline in the wake of its 2015 popularity boom, before revamping itself in 2017 to stage an unlikely comeback. While still not as successful as TikTok, the short-form video app established a significant audience by focusing on the one demographic still using it — Black teenagers in the U.S.
As such, both Reddit and Dubsmash’s acquisition announcements heavily emphasised the diverse, underrepresented creators who use the app. According to Reddit, a quarter of Black teens in the U.S. use Dubsmash, while 70 percent of users are women or girls.
“By joining forces with Reddit, we expand our ability to serve the creators that represent the lifeblood of Dubsmash, helping them connect, share, and deepen their impact on culture,” wrote Dubsmash co-founders Suchit Dash, Jonas Drüppel and Tim Specht. The trio further reaffirmed their goal to “[create] a safe and welcoming platform for underrepresented communities.”
“Both Reddit and Dubsmash share a deep rooted respect for how communities come together,” said Huffman. “Dubsmash elevates under-represented creators, while Reddit fosters a sense of community and belonging across thousands of different topics and passions.”
Facebook Inc. is again being sued for allegedly spying on Instagram users, this time through the unauthorized use of their mobile phone cameras.
The lawsuit springs from media reports in July that the photo-sharing app appeared to be accessing iPhone cameras even when they weren’t actively being used.
Facebook denied the reports and blamed a bug, which it said it was correcting, for triggering what it described as false notifications that Instagram was accessing iPhone cameras.
In the complaint filed Thursday in federal court in San Francisco, New Jersey Instagram user Brittany Conditi contends the app’s use of the camera is intentional and done for the purpose of collecting “lucrative and valuable data on its users that it would not otherwise have access to.”
By “obtaining extremely private and intimate personal data on their users, including in the privacy of their own homes,” Instagram and Facebook are able to collect “valuable insights and market research,” according to the complaint.
While music festivals remain a distant memory in most parts of the world, a full-scale Ultra Music Festival event went on in Taiwan on Saturday, November 14th. The event, which took place at Dajie Riverside Park in Taipei, was billed as a part of Road to Ultra, the long-running series of one-day festival events in cities around the world created and founded by the team behind the famous Miami electronic dance music festival.
The Ultra event in Taiwan was headlined by Swedish progressive house maestro Alesso and featured performances by LA-based duo Slander, Israeli production pair Vini Vici, and America DJ Kayzo as well as regional supporting acts Junior, RayRay, and Pei Pei. It welcomed crowds of thousands to enjoy a full music festival experience complete with lavish stage production, pyrotechnics, and fireworks in addition to live painting demonstrations, global street food, and a graphic art wall created by Taiwanese designers. The event was streamed live online to a global audience.
As the United States struggles with its nastiest spike to date and the prospect of a full-blown music festival remains entirely out of the question, Taiwan has had immense success in curbing the spread of the coronavirus. As of the end of October, the East Asian country had gone 200 days without a locally transmitted COVID-19 case.
Many details of the plan, which is still in development phase, will rely on three separate components — the Ticketmaster digital ticket app, third party health information companies like CLEAR Health Pass or IBM’s Digital Health Pass and testing and vaccine distribution providers like Labcorp and the CVS Minute Clinic.
Here’s how it would work, if approved: After purchasing a ticket for a concert, fans would need to verify that they have already been vaccinated (which would provide approximately one year of COVID-19 protection) or test negative for coronavirus approximately 24 to 72 hours prior to the concert. The length of coverage a test would provide would be governed by regional health authorities — if attendees of a Friday night concert had to be tested 48 hours in advance, most could start the testing process the day before the event. If it was a 24-hour window, most people would likely be tested the same day of the event at a lab or a health clinic.
Once the test was complete, the fan would instruct the lab to deliver the results to their health pass company, like CLEAR or IBM. If the tests were negative, or the fan was vaccinated, the health pass company would verify the attendee’s COVID-19 status to Ticketmaster, which would then issue the fan the credentials needed to access the event. If a fan tested positive or didn’t take a test to verify their status, they would not be granted access to the event. There are still many details to work out, but the goal of the program is for fans to take care of vaccines and testing prior to the concert and not show up hoping to be tested onsite.