Its hard to predict whether Dick Gregory will be most celebrated as a path-breaking comedian or a trailblazing civil rights activist. Its impossible to imagine the history of either movement without him—or without his unique blending of the two. In the early 1960s, he became one of the first black comedians to perform before integrated audiences. In 1967, he ran for mayor of Chicago against Richard J. Daley, and a year later for president as the Freedom and Peace Party candidate. The author of and contributor to many politically charged books, Gregory is still a staunch, wry political voice across a range of issues as varied as nutrition, social justice, and the environment. Chicago Sun-Times columnist Laura Washington interviews the provocative and always unpredictable Gregory.
An investigation is underway at an Indiana high school after a photo caption in the school’s 2020 yearbook listed a student on the boys basketball team as “BLACK GUY” instead of by his name.
After images of the photo in the Brown County High School yearbook were posted to social media Monday, the superintendent apologized that evening in a Facebook Live video.
“It has been brought to our attention that that yearbook has a truly incomprehensible statement included in it,” the superintendent, Laura Hammack, said, adding that officials were “trying to better understand what that situation is all about.”
Hammack declined a request for an interview Thursday and referred NBC News to a statement she and Brown County High School principal, Matthew Stark, released Monday.
Brown County High School is a public school in Nashville, roughly 50 miles south of Indianapolis. There were 577 students enrolled in the 2019-20 school year, the majority of whom — 92.2 percent — are white, according to state data.
The special, a 27-minute set filmed on June 6 in Yellow Springs, Ohio, where Chappelle lives, is incendiary and brilliant — part sermon, part history lesson, part eulogy. Certainly compared to his most recent specials, where he has toyed with disappointing anti-trans rhetoric and refused to seriously contend with the ways in which he has downplayed Black women’s claims of sexual assault, 8:46 is a relief and a return to form. It is a heartening reminder of what Dave Chappelle does best: tell a great story. This story is one of unfathomable cruelty and injustice, but also resilience.
Source: BuzzFeed News