Its hard to predict whether Dick Gregory will be most celebrated as a path-breaking comedian or a trailblazing civil rights activist. Its impossible to imagine the history of either movement without him—or without his unique blending of the two. In the early 1960s, he became one of the first black comedians to perform before integrated audiences. In 1967, he ran for mayor of Chicago against Richard J. Daley, and a year later for president as the Freedom and Peace Party candidate. The author of and contributor to many politically charged books, Gregory is still a staunch, wry political voice across a range of issues as varied as nutrition, social justice, and the environment. Chicago Sun-Times columnist Laura Washington interviews the provocative and always unpredictable Gregory.
While music festivals remain a distant memory in most parts of the world, a full-scale Ultra Music Festival event went on in Taiwan on Saturday, November 14th. The event, which took place at Dajie Riverside Park in Taipei, was billed as a part of Road to Ultra, the long-running series of one-day festival events in cities around the world created and founded by the team behind the famous Miami electronic dance music festival.
The Ultra event in Taiwan was headlined by Swedish progressive house maestro Alesso and featured performances by LA-based duo Slander, Israeli production pair Vini Vici, and America DJ Kayzo as well as regional supporting acts Junior, RayRay, and Pei Pei. It welcomed crowds of thousands to enjoy a full music festival experience complete with lavish stage production, pyrotechnics, and fireworks in addition to live painting demonstrations, global street food, and a graphic art wall created by Taiwanese designers. The event was streamed live online to a global audience.
The successful festival serves as a big win for the Ultra organizers, whose Covid-imposed cancellation of Ultra’s flagship Miami event in early March was among the first in a cascade of cancellations that saw much of the global live music industry to screech to a halt over the ensuing weeks.
As the United States struggles with its nastiest spike to date and the prospect of a full-blown music festival remains entirely out of the question, Taiwan has had immense success in curbing the spread of the coronavirus. As of the end of October, the East Asian country had gone 200 days without a locally transmitted COVID-19 case.
Source: Live For Live Music
The suit was filed in U.S. District Court for the Western District of Texas Austin Division on April 24 by two plaintiffs, Maria Bromley and Pauta Kleber, who claim to have spent over $1,000 each on attending the event that was originally scheduled for March 12-20 in Austin. On March 6, organizers announced they were forced to cancel the annual festival due to a city order that prohibited large gatherings in order to prevent the spread of COVID-19.
Following the cancellation, SXSW informed ticket and pass holders that they would not be receiving refunds. Instead, the independent festival offered pass holders free registration — equivalent to the amount they spent for the 2020 festival — that would be valid for SXSW in 2021, 2022 or 2023. They were also offered a 50% discount based on the amount they spent in 2020 for another one of those three years.
According to the lawsuit, both plaintiffs were informed that the offer expires on April 30, 2020. The complaint notes that these offers were put forth by the festival on March 12, which additionally stated that it “cannot be certain that future festivals will occur.”
The Insane Clown Posse announced on Wednesday that they’re canceling this year’s Gathering of the Juggalos due to the ongoing coronavirus pandemic.
The festival celebrating the hardcore hip hop duo will be postponed to next year.
“The bottom line is that we REFUSE to risk even ONE Juggalo life by hosting a Gathering during these troubling times,” the Insane Clown Posse said in a statement posted to Twitter.
The group, comprised of Violent J and Shaggy 2 Dope, then referenced their most recent album titled “Fearless Fred Fury” to advise their fans “to heed the words of Fred Fury and Flip the Rat: ‘BE SAFE: Watch your step and take it easy. You can’t replace what you mean to our team.”
Festival posters always get me. It’s a reoccuring game of “Can the text get any smaller?”