Daily Inspiration: Meet Stephanie Rizo (VoyageLA Interview)

Today we’d like to introduce you to Stephanie Rizo.

Alright, so thank you so much for sharing your story and insight with our readers. To kick things off, can you tell us a bit about how you got started?
It all started when I was just a little kid. I loved getting up early to watch all the Saturday morning Cartoons and reading the newspaper comic strips that my dad would bring. My family is a very creative bunch and have always been supportive in the arts, so it was no surprise that I started to become interested in drawing. I was always drawing on any kind of paper I could get my hands-on like receipts, accidental print paper, napkins at restaurants while we waited for our food or getting in trouble at school for doodling animals on the math homework. My mom would take my sister and I often to the library and it was then when I discovered “how to draw” books. I couldn’t believe there was a book that could teach you how to draw animals and people. I was always leaving the library with too many books that my little body could carry, I mean I was just so excited! It was one particular trip to the library that I came across one of my first “art of” books. It was a wide landscape book that was popping out of the bookshelf, it caught my eye and I pulled it out. It was Tarzan art of book, I felt like I had just found gold. As I flipped through the pages, I was inspired by all the beautiful art that the book was filled with, from Character Design, Background paintings and visual development. Then I saw these very expressive animated drawings that Glen Kean had drawn, it read that he was a character animator at Walt Disney Animation Studios. That’s when I knew that I wanted to work in animation!

As I got older graduating from Highschool in 2010, I headed to Orange Coast Community College. My goal was to finish my GED and transfer to an art school or university. During this time, I learned about the college’s Narrative illustration program and the art center on campus. It was really awesome because that is where I met some of my closest friends and created such a fun art community. We each realized that we had the same goals of wanting to improve, work hard and do as much drawing as we could. Since we all wanted to up our skills and portfolios for art school, we started to attend CTN (Creative Talent Network) back in 2013. It was such a great time to meet artist that inspired us and get feedback on our work. Once I had a portfolio ready and GED done, I was accepted to Laguna college of art and Design. It was the closest art school in southern California and found that their animation program was great. Though I was thankful for some scholarships that I was able to receive, I still had to take on a big loan for the next four years. Being a first-generation Mexican- American, I have been fortunate to have love and support from my family the moment I knew I wanted to become an artist and of course, they were worried of the challenges that I would have to face but they were and have been always cheering me on. So, I felt that this was too much of a debt to take. I knew that a lot of these classes I could take Online and at community college. I wanted to make my parents proud and still get an education but with an affordable budget, we could manage.

I returned to Orange Coast to finish the Narrative Illustration program. Once I started this art journey, I knew I had to work a lot more in finding different kinds of resources to expand my knowledge of the fundamentals in animation and the industry. I was still keeping in touch with my close art friends and one of them ( Victor Calleja) had been attending Cal State Fullerton and they told me about a club called PMC (pencil Mileage club) The club would bring in speakers once a week, who have been working in animation/ illustration/ Entertainment and share their experience and journey. So, I would sneak into these events and take as much notes as I could, to just absorb as much knowledge. In 2015- 2016, I finished the Narrative illustration program and was thinking about the next step to take. I was still working on my portfolio and applying to any jobs or internships but all I got was rejection letters. Though I felt defeated, I knew that I had to keep pushing and work harder, I kept attending CTN every year and there I learned about Schoolsim courses run by Bobby Chiu. They were great because they offered classes with instructors who have worked in the animation industry at an affordable price! I also came across Chris Oatley Academy as well, what I loved about his courses was that he didn’t teach you how to draw but it was more about understanding the animation pipeline and expanding your knowledge in storytelling. Then Eva Lacy reached out to me on Instagram to see if I was interested in participating at her pop-up event called The Artist Lodge. She had seen my work and felt that I would be a good fit for it. I was nervous about it because I didn’t think people would be interested in buying my work but I took the chance and went for it. It was a great experience and gave me a lot of confidence and motivation to share more of my work on Instagram. As I kept posting my art online and shared my work, it leads an awesome opportunity to do some Freelance Character Design work on Unikitty T.V show at Warner Bros. Andrea Fernandez had found my art and passed my work along to Lyn Wang. I was thrilled they had reached out! Even though it was only for a short amount of time, it was a great experience and learned so much on the job.

At this time, I was working at Starbucks during the day and freelance at Night. Even though I was getting a taste of what it was like to work for a studio as a freelancer, my goal was to work at a studio full time. One-night PMC had a special alumni speaker event and had some really awesome artists to talk about their journey. One of them was Matt Roberts, a recruiter for Walt Disney. After that wonderful talk, I decided to introduce myself and share a visual development art book my partner and I made. He thought it was awesome and liked to work and kept it. We thought it was awesome and didn’t think much of it after that night. Time passed and one day Matt reached out to me and asked if I was interested in applying towards the storyboard apprenticeship program. I was happy he had reached out but also conflicted because I was focused on character Design and not story. But I took the “Leap of faith” and said yes. I had about 1-2omths to work on a storyboard portfolio. I was freaking out and stressed, for the next few weeks I did everything I could to learn about boards, references and thing of a story to tell for my portfolio. Once I wrapped that up, I applied and hoped for the best. A couple of weeks later, I was told I was accepted for an interview at the studio, and after that I received a call asking if I wanted to be part of the program and I said YES. I was ecstatic! I couldn’t believe it was actually happening.

I joined the program in 2018 and it lasted a yearlong and it was the most fun and exciting experience. Though I felt like I was thrown at the deep end of the pool, I wasn’t alone. I got to work with such talented artists in the program with me, Allen Ostergar, Alishea Gibson, Hillary Bradfield and Morin Halperin. I learned so much from each of them and it was awesome to see a diverse group with different backgrounds pushing each other to learn as much as we could about storytelling. Also, some of the most talented and well-known artists became our mentors. Michael Herrera was my mentor and taught me so much. He pushed me to do my best and always was so encouraging and patient with me. After a year of training, the apprenticeship wrapped up in 2019 and it was time for my next adventure.

I was unemployed for about three months, but it wasn’t long till Sony reached out to me about a possible job opportunity working as a story artist. I had always admired Sony animation films and loved how fun and animated their stories so I was very excited. I later find out that the position was for the sequel on Spider-Verse! I owe many thanks for Miguel Jiron for passing my work along and be part of the Spidey team. I was so thrilled to be working with some incredible people like our Directors Justin Thompson and Joaquim Dos Santos, the story crew and art department have been such an inspiration and I am learning so much with this incredible team. I still can’t believe I have been so lucky to experience so much in such little time. I am very thankful for all the support I have had along the way from my friends, family, mentors, instructors who have been pushing me to do my best. I am forever grateful for everyone who has had faith in me becoming an artist because if it wasn’t for their endless support and motivation, I wouldn’t be where I am today.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
The challenges came from the choices I made from the get go. Since I didn’t take the traditional art school path, I had to find my own sources, community and classes. Post-Graduation, I started to work at Starbucks as a barista. I really enjoyed that time there because I was able to expand my communication skills and customer service. Though I enjoyed making latte foam art on customer drinks, I would daydream and wish I was at home drawing, working on my portfolio. There were days where I just felt defeated and time was just passing me by. I would spiral to think that perhaps it was a mistake that I didn’t attend Art school and things would have been easier? I kept feeling this pressure from my parents to make them proud even though they have been supportive of my career path, I still didn’t want to let them down.

What really helped to keep myself motivated was attending Speaker events, whether it be at Cal State Fullerton or gallery events and Workshops. As things started to look up when I started the Story Apprentice program at Disney, it was another challenge. Since I started college, my goal was to work as a Character Designer, I mean I really liked every aspect of the animation pipeline but creating characters was my sweet spot. So, when this opportunity came to me, it felt like I was thrown into the deep end of the pool. I had only learned how to “float” and there was so much for me to learn about being a Story artist. I feel very fortunate to have had a great mentor along the way to help me understand and have a voice with my art. I feel very blessed to have these opportunities come my way, but I will say that each one comes with their own challenges and obstacles that help us learn and grow as artists.

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I am a Character Designer and Story artist working in the Animation industry for Film & T.V.

I specialize in creating Character Design and Stories that have emotion, energy and giving characters life. I like to exaggerate emotions with drawings and it’s fun to see how people connect with these designs.

I am known for drawing lots of animal character designs and illustrations. I have a lot of fun learning about animals and creating characters, whether it be that they are drinking coffee or skateboarding.

I am most proud of how far along I’ve come. Being a First-Generation Queer Mexican-American Women, I feel blessed to have these opportunities come my way. I am always so great full for those who have believed in me and that my work has impacted them in some kind of way.

Are there any important lessons you’ve learned that you can share with us?
I would say the most important thing I have learned along my journey is taking that “leap of faith”. There were times that I was just afraid of failing or not trying something because I felt that I was not ready for it. It is not easy but you have to follow that gut feeling.

Source: VoyageLA

New York Fashion Designer Alexander Wang Accused Of Sexually Assaulting, Drugging Multiple People

Iconic fashion designer Alexander Wang is facing multiple sexual assault allegations, with survivors on TikTok, Instagram and Twitter detailing the designer’s reportedly predatory and substance-fueled behavior.

First viral allegation: Wang’s alleged history of sexual abuse began to emerge after model Owen Mooney answered a question from another TikTok user about the “weirdest seeing a celebrity in public experience” on December 11, detailing a 2017 incident at a club where he claims he was groped.

In his first TikTok, Mooney answered without naming the celebrity: ”By weird, I guess, being sexually assaulted by one counts, right? Because in 2017, I was in a club in New York City, and me and a bunch of mates, we went to watch the rapper Cupcake. And the club was just hectic, it was so packed, you could not move, and I was by myself at one point and this guy next to me obviously took advantage of the fact that no one could f**king move. And he just started touching me up, fully up my leg, in my crotch, it made me freeze completely because I was in so much shock. And then I looked to my left to see who it was and it was this really famous fashion designer and I just couldn’t believe that he was doing that to me, it made me go into even more shock. It was really f**ked up, and I just had to slowly move myself away.”

In a follow up TikTok on December 12 after other users began guessing who the celebrity was, Mooney revealed the celebrity he was speaking of to be Alexander Wang: ”So I thought in the previous video, the better thing to do was just to not mention any names, but this comment surprised me just because they actually got it right and turns out, Alexander Wang is a massive sexual predator, and there’s been a load of people he’s done this to. So, in that case, he needs to be exposed. It’s just really f**cked up that people with this type of status, they think that their power gives them this type of pass to be able to do this to people, but it’s so wrong, and now, anytime I would see his name mentioned or I see him with celebrities that are best friends, it just reminds me of what he did and it’s just a really f**ked up memory to have, so he just needs to be cancelled.”

Shit Model Management Posts: Mooney’s TikTok went viral with over 19K views after it was shared by fashion watchdog groups Shit Model Management and Diet Prada on Instagram on Monday.

  • Anonymous users have since come forward to Diet Prada and Shit Model Management, which wrote: “Alexander Wang is an alleged sexual predator, many male models and trans models have come out and spoken about the alleged sexual abuse that Alexander Wang has inflicted upon them. It is important to show your support to these victims by unfollowing Alexander Wang and boycotting his clothing line.”
  • The allegations against Wang include groping, drugging and forcing partygoers to get drunk with him at after parties.
  • There have also been repeated allegations from multiple trans women who were groped or had their bodies or genitals exposed to Wang.
  • Some accounts accuse Wang giving them water laced with MDMA or “Molly” without them knowing.

Support for survivors: Fashion advocacy group Model Alliance released a statement on Tuesday standing by Wang’s accusers.

  • “We at Model Alliance stand in solidarity with those who have shared accusations of sexual abuse by Alexander Wang,” it wrote on Instagram. “Lets be clear: The fashion industry’s lack of transparency and accountability leaves all models vulnerable to abuse, regardless of their sex or gender identity.”
  • This is not the first time Wang has been accused of sexual assault. In 2019, rapper Azealia Banks shared anonymous messages sent to her Instagram alleging instances of abuse. The original posts have since been deleted, but screenshots can still be found on Twitter.
  •  “Alexander Wang sexually assaults transwomen & needs to be brought down,” one anonymous message to Banks read.
  • Nick Ward, who made similar allegations as Mooney dating back to the same year, told his story to Insider.
  • “As he was passing, he swung, squeezed me, and kept walking,” Ward said of Wang, who he claimed was with a group of people at a DJ set in Brooklyn, New York in 2017, when he “swung his hand and grabbed” his crotch.
  • Ward added: “They were moving pretty quickly through, so by the time I realized what happened, I just announced to my friend, ‘that guy just grabbed my dick’ and they’re all like, ‘that was Alexander Wang.’”
  • Wang has since turned off the comments section on the latest posts on his personal and professional Instagram accounts as of this writing.

Source: NextShark

A More Diverse Workplace Is Good for Society, and for Business — Creative Director Justin LaBaw-Rivers’ Experience as an African American Graphic Designer

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Nonette Llabres spoke with Justin about his solidarity with the Black Lives Matter movement, his experience as an African American designer, the need for more diversity in agency leadership roles, and taking inspired action to balance working for yourself and making a difference in the world.

It’s very common to not have enough diversity, especially in the traditional creative agency world. One figure I’ve seen is that only 10% of workers on agency teams are people of color.

All of them want the same thing as I do — we want to create really dope products that can change the world and work with fun people at the same time.

Full House Actress Lori Loughlin Gets 2 Months Jail Time And Husband Mossimo Giannulli Gets 5 In 2019 College Admissions Bribery Scandal To Get Their 2 Daughters Into USC

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The couple paid $500,000 to college admissions mastermind Rick Singer to get their daughters into USC as crew recruits—with falsified athletic records—as part of a larger bribery scheme, according to court documents.

At least 53 and $25 million. That’s how many people have been charged as part of the scandal.  And at least 33 parents have been accused of paying $25 million to Singer from 2011 to 2018 as part of the scheme.

Loughlin has “a fairytale life,” the judge said. As he handed down the sentence, he addressed her, saying, “you stand before me a convicted felon, and for what? The inexplicable desire to have even more.” He told Giannulli during his earlier sentencing: “You are an informed, smart, successful businessman. You certainly did know better, and you helped sponsor a breathtaking fraud on our admissions system.

The college admissions scandal investigation, codenamed “Operation Varsity Blues” by the Department of Justice, was made public in March 2019. The group of parents accused in the case were believed to have used phony athletic, academic and test score records, along with bribery, to get their children into Yale, Stanford and USC, among other schools. All but one parent have been sentenced to prison time. Loughlin’s daughter (and influencer) Olivia Jade Giannulli has not returned to USC since August 2019. She was falsely presented to USC as an accomplished coxswain in crew, and fake photos were taken of her on a rowing machine.

Source: Forbes

Lululemon apologizes after art director advertises ‘Bat Fried Rice’ shirt; fires employee

Lululemon is apologizing after its art director shared a “bat fried rice” t-shirt design on social media that has been slammed online as “racist” and “anti-Asian” amid the coronavirus pandemic.

On Sunday, Trevor Fleming, the senior global art director of Lululemon, shared a link on Instagram to the t-shirt design first shared by California artist Jess Sluder. (Fleming’s Instagram account has since been deleted.)

The design featured a Chinese take-out box decorated with bat wings and the words “no thank you” on the back. The shirt, titled “Bat Fried Rice,” was listed for purchase at $60 before it was taken down.

Source: USA Today

How to Protect Yourself from Bad Clients

The dream client rarely exists. So when we do find someone who wants to hire us, we think, “I can make this work.” But we overlook the potential problems and unexpected costs they might create. In this clip, Emily Cohen explains what red flags to look out for in clients and how to protect yourself when you do work with them.

Clever Episode 113: Graphic Designer Stefan Sagmeister

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In this episode, Clever host Amy Devers talks to graphic designer Stefan Sagmeister. Stefan did not care for engineering in high school. Instead, he found designing a poster that would communicate a vibe and draw crowds to an event to be way more compelling. After design school, the Austrian native decided that New York is the city that fits him best. With many awards and a big name in his field, he’s now focusing on art, exhibitions, and taking a sabbatical every 7 years. He’s got a brain for planning and long-term data which allows for a very optimistic long view.

Source: Design Milk