South Dakota has seen a sharp increase in daily COVID-19 cases following the Sturgis Motorcycle Rally in Meade County this month. Hundreds of thousands of bikers descended upon the area August 6-15, despite the Delta variant wreaking havoc on the U.S.
On August 4, the date closest to the start of the rally for which data was available, the state reported 657 active cases. On August 25, the state reported 3,655 active cases. That’s a 456% increase of active cases from before the start of the rally to two weeks after, according to the state’s department of health.
As of August 24, about two weeks from the start of the event, South Dakota saw a weekly positivity rate of 38.8%. The week leading up to the rally — July 30 to August 6 — the state’s weekly positivity rate was much lower, at 10.38%, the department of health data shows. The week before that, July 23-30, the positivity rate was just 6.10%.
The rate of daily cases increased 486% from August 6, when 80 new cases were reported, to August 23, when 469 cases were reported.
Meade County, where Sturgis is located, saw a 34.2% weekly positivity rate last week, according to the state department of health.
About 61% of the state’s population over age 12 have been administered at least one dose of vaccine, and 55% are fully vaccinated, the department’s data shows. In Meade County, 7,984 people have been vaccinated. With a population of 28,332, that’s about 28% of the county vaccinated.
Still, the national vaccination effort is once again showing signs of slowing. Just over half of the American population is fully vaccinated, far short of the elusive “herd immunity” some hoped the country would reach by the end of the summer.
At the Sturgis rally, vaccines were not required, Mola Lenghi reported for “CBS This Morning: Saturday.” “We’re not going to start checking papers. I mean, that’s not really an American way,” said Daniel Ainslie, city manager of Sturgis, which has a population of 7,000.
Last year, the motorcycle rally received scrutiny for welcoming half a million bikers from across the country to what was considered a “superspreader” event. About three weeks after the 2020 rally kicked off, more than 100 cases of COVID-19 connected to the rally were reported in at least eight states, The Associated Press reported, and the number of related cases kept growing in the weeks that followed.
At the time, COVID-19 vaccines were not yet available. Some safety measures, like sanitizing sidewalks, were put in place, but masks were not required, City of Sturgis Public Information Officer Christina Steele told CBS News via email ahead of the event.
In an email to CBS News, Daniel Bucheli, spokesman for the South Dakota Department of Health, said, “COVID-19 case spikes are following a national trend being experienced in every state, not just South Dakota.”
“Regarding cases surrounding the Sturgis rally, our department has only been able to link 39 cases directly to this event,” Bucheli said. “It is important to mention that Meade County currently has a lower vaccination rate than other counties in the state. Fully vaccinated residents in this county is 45.1%, versus 55.94% for the state as a whole.”
CBS News has reached out to representatives of the Sturgis Motorcycle Rally and is awaiting response.
The Pasco County, Florida Sheriff’s Office allegedly has a private database of parents and children they say are likely to become “prolific offenders.” Most of these individuals have no idea they are on the list and now, civil rights and privacy groups are saying it’s illegal and discriminatory.
Orange Coast College’s 164-acre campus is located in Costa Mesa just minutes from Southern California’s beautiful beaches. Founded in 1947, with classes beginning in 1948, OCC has grown into one of the nation’s largest — and finest — community colleges, enrolling more than 25,000 students each semester.
OCC features exceptional facilities and the latest in technology and offers more than 135 academic and career programs, including one of the nation’s largest and most acclaimed public nautical programs. Nearly half the students on campus are enrolled in one of OCC’s Career and Technical Education programs.
OCC ranks first out of Orange County’s community colleges in the number of students it transfers to the University of California and California State University systems. Over the past decade, thousands of OCC students have transferred to UC and CSU campuses. Additionally, many Orange Coast students go on to transfer to private colleges and universities within California and across the nation.
A member of the Coast Community College District, OCC offers fall, winter, spring, and summer classes and is fully accredited by the Western Association of Schools and Colleges.
Police are searching for a gunman after a 6-year-old boy on his way to school was shot and killed during a road-rage attack on the 55 Freeway in Orange on Friday morning, May 21, the California Highway Patrol said.
The boy’s mother was driving a silver Chevrolet Sonic north on the 55 Freeway near Chapman Avenue at about 8 a.m. when her car was hit by gunfire, said Officer Florentino Olivera, a CHP spokesman.
The boy, in a booster seat in the back seat, was struck. He was taken to Children’s Hospital of Orange County in Orange, where he died, Olivera said. His family lives in Costa Mesa.
The woman was not reported injured. She was the only other person in the car.
The shot came from a newer white sedan, possibly a “Volkswagen wagon sedan,” that fled north on the 55 and was still being sought, Olivera said.
“It’s an isolated road-rage behavior,” he said.
Reyes and Joanna Valdivia of Orange had just dropped off their two children at school and entered the freeway when they saw the Chevrolet on the shoulder near Chapman Avenue.
“My wife noticed a lady pulling her son out and dropping to the ground with her son in her arms,” Reyes Valdivia said.
When they stopped to help, Valdivia said, the woman told them that she had “flipped off” the driver of the white sedan after the driver cut her off in the carpool lane.
The woman told Valdivia that when she moved to the right, the white sedan, with a man and woman inside, slipped in behind her and someone opened fire, Valdivia recounted.
Olivera would not specifically describe the incident.
Valdivia said there was a bullet hole in the trunk and that the boy appeared to have been shot in the back. Other good Samaritans pulled over to help, including an off-duty police officer who performed CPR on the boy, Valdivia said.
Joanna Valdivia said the woman, “walking aimlessly” on the freeway shoulder, appeared to be in shock.
“She was hysterical, screaming,” she said.
Relatives said the boy’s name was Aiden, and his death has devastated the family.
“My mom, there was a road-rage on the freeway, and someone pulled out a gun and shot my little brother in the stomach,” the boy’s 15-year-old sister, Alexis Cloonan, told reporters.
“He was only 6, and he was so sweet,” Alexis said through tears. “He was a very, very loving boy. So please, help us find who did this to him.”
The boy’s uncle, John Cloonan, said the family wanted to speak out so the shooter “can see what you’ve done to this family.”
Investigators formed a line the width of the freeway, searching for evidence of the shooting, as traffic was diverted off the northbound 55 to the westbound 22 Freeway. The 55 reopened at about 11:30 a.m.
Mindy Daffron, a crisis team manager with the Orange County chapter of the Trauma Intervention Program, which provides resources to victims of crimes and fires, said her organization was assisting the family.
Olivera was emphatic that Friday’s shooting was not related to the gunfire that has traumatized freeway motorists in the past couple of months. At least 50 cars have been shot at with BB or pellet guns, leaving bullet holes and smashed windows, mostly along the 91 Freeway in Riverside and Orange counties.
Those incidents were different in that motorists did not engage one another before shots were fired, the CHP has said.
The CHP has expanded its patrols as a result of those incidents but has not announced any arrests.
Olivera asked that anyone who was traveling the northbound 55 between the 22 and Chapman from 7:55 a.m. to 8:15 a.m. on Friday who saw anything out of the ordinary or who has dashcam or cellphone video call Investigator Kevin Futrell at the CHP Santa Ana office at 714-567-6000.
A family member of the boy has set up a GoFundMe account.
Casey Redd was 14 when she began going to shows put on by popular indie-rock label Burger Records. The concerts, featuring contemporary garage and punk bands, were often all-ages, and a swell of excited teenage girls would be in attendance.
Three years later, when Redd was 17, she says Phil Salina, the then-29-year-old singer of the Portland-based goth-pop duo Love Cop, had sex with her in the back seat of her car. He told her to meet him at the far corner of the parking lot at the Burger Records store in Fullerton, she says, then instructed her to drive a few blocks away to a darkened neighborhood where she alleges the statutory rape took place. (The age of consent in California is 18.)
A few days later, they again had sex outside of a house show in Pomona, she says.
“I felt confused and violated,” she says, adding that it took time, reflection and therapy to come to terms with what happened to her in 2013. “For years, many years, I didn’t really talk to anyone about it — I felt really ashamed — I felt like it was my fault for engaging with him in the first place.”
She did tell one of her close friends about her sexual encounters with Salina. That friend, who regularly attended Burger Records shows with Redd, corroborated Redd’s story to The Times in a phone interview.
The Times, however, reviewed texts that Salina sent to Redd after she went public with her accusations. In them, Salina apologizes and expresses remorse, writing, “I won’t ever be allowed to play music again and that is fair.” He also wrote that he didn’t think of their relationship as abusive at the time but that he now understands that it was wrong.
Redd went public with her experience last summer, sharing her story on her personal Instagram page and soon after on a page she created called Lured_By_Burger Records, which posted accusations about men in the Burger scene from other female fans and artists. The page quickly accumulated thousands of followers, spurring online outrage, national media coverage and public apologies from many of the accused musicians.
Within a week, the label ceased operations completely, prompting a long-overdue reckoning about the prevalence of sexual abuse in Southern California’s underground/DIY music scene.
One of Burger’s owners, Sean Bohrman, declined to be interviewed for this story. The other, Lee Rickard, did not respond to a request for comment. But Bohrman acknowledged in an interview with Seattle radio station KEXP after Burger’s collapse that the label — which published recordings by nearly 1,200 bands during its 13 years in existence, in addition to hosting concerts and festivals and running a record shop in Fullerton — did not scrutinize the personal behavior of the musicians with whom it worked. And it’s not clear that management was paying attention to the exploitative sexual dynamics of the scene Burger fostered.
As the allegations emerged, the label issued a statement that read in part: “We extend our deepest apologies to anyone who has suffered irreparable harm from any experience that occurred in the Burger and indie/DIY music scene.”
But the problems did not involve Burger musicians alone. The Times interviewed nearly two dozen women who detailed varying degrees of sexual abuse and harassment by musicians in Southern California’s indie rock scene during the past 15 years.
A number of women spoke on the record; others chose to remain anonymous, either because they feared reprisal or had already experienced it after posting their experiences online.
Burger Records was founded in 2007 by Bohrman and Rickard, in part to release music from their own band at the time, Thee Makeout Party. Burger championed catchy, homemade power-pop, surf-rock and bubblegum punk. It opened a record shop in Fullerton in 2009 and Bohrman and Rickard lived there, washing their hair under a spigot in the alley and running the label out of the back. The shop soon became a popular gathering spot for music fans.
As Burger grew, the label hosted a slew of popular shows and festivals around Southern California including Burger-a-Go Go, which paid tribute to all-female-fronted bands, and the two-day Burgerama, which annually drew thousands of fans and featured eclectic lineups of dozens of underground garage bands and indie rock giants including Weezer, Ariel Pink, Fidlar, the Spits, Ty Segall, Roky Erickson and Gang of Four.
Burger’s reputation was burnished internationally in 2014 when fashion design house Yves Saint Laurent featured the label’s music in Paris runway shows.
An all-ages ethos was key to Burger’s identity. Young fans, including those in high school, often mingled with older fans and musicians. Many women interviewed by The Times described rampant drug and alcohol use, even at shows where alcohol was not for sale.
The label did not follow a traditional business model. It didn’t sign bands or negotiate contracts. It just reached out to bands it loved and released mostly limited-edition runs of cassette tapes, leaving it to other labels to court the musicians it championed. It also made money from the concerts and festivals that it convened.
At first, Redd felt at home among Burger fans and bands, and in the spaces they occupied. All-ages shows were held in warehouses, the record shop and a large venue called the Observatory in Santa Ana. The Fullerton store was painted a bright key-lime green and featured a highly cultivated sense of graphic design characterized by a zany, cut ‘n’ paste punk aesthetic in bold primary colors (Bohrman minored in graphic design and cranked out the labels’ merch). The store was filled with buttons (“I’m a Burger Girl,” was one), stickers and posters, many featuring vintage-inspired, punk-themed cartoons. There was a back room where musicians, staff and customers sometimes gathered. It felt, say many of the women who hung out there, like a high-school clubhouse.
“In their marketing, they described themselves as perma-teens,” recalls Redd of Burger Records.
Redd says she began to regularly receive messages from some of the men in bands whose accounts she had followed on social media.
When Love Cop’s Salina first reached out to Redd, she was 17. Salina was working as a mental-health counselor in Portland specializing in addiction. Redd’s family had a troubled history with drugs and addiction, and she came to trust Salina. She says they talked nearly every day.
“He knew the trauma that I carried and … my age and vulnerability. It was definitely a grooming relationship,” Redd says, recalling how lonely, depressed and anxious she was at that time. “We would talk about cats and music. He was one of the very few adults I felt seen by.”
Months later, Salina came to Orange County to play a Burger show and invited Redd. It was her first time driving on the freeway when she crossed county lines from her hometown of Corona to Fullerton where she says their first sexual encounter took place.
Afterward, Redd alleges, Salina messaged her often, asking for nudes and sexual photos. For the most part, she ignored him but sometimes she engaged with him, not fully understanding how inappropriate the situation was.
Redd stopped going to Burger shows when she was 18, but at that point she says she already knew several other underage teenage girls who had been abused by adult men in the scene.
Redd is now 24 years old. She is a longtime vegan and animal rights activist with a soft but firm voice and a thoughtful, straightforward way of speaking. She says that over the years, not a day went by that she didn’t think about the fact that she was not alone in her experience.
That fact became painfully clear during the summer on July 15 when Clementine Creevy, the frontwoman of Cherry Glazerr, which released its debut album through Burger, posted a statement on Instagram accusing Sean Redman, the bass player of another Burger-affiliated band called the Buttertones, of starting a sexual relationship with her when she was 14 and he was 20. That relationship, she wrote, was also emotionally abusive.
Similar stories from dozens of women soon began pouring into Redd’s direct message box, she says. Many of the accusations of rape, sexual assault, abuse, harassment and grooming were about Burger bands, and many were about the local underground music scene in general. Redd found herself spending up to 18 hours a day on the site, fielding comments, posts and allegations. She says the experience was emotionally and physically overwhelming.
As scrutiny of Burger intensified, other women spoke out and bands began to fall. Lydia Night, the singer of The Regrettes, accused SWMRS drummer Joey Armstrong (son of Green Day’s Billie Joe Armstrong) of sexual misconduct and coercion, beginning when she was 16 and Armstrong was 22. SWMRS released music through a variety of labels, including Burger. Armstrong posted an apology on Instagram, adding that he didn’t agree with some of the things Night said about him, but that, “it’s important that she be allowed to say them and that she be supported for speaking out.”
On July 21, Burger co-founder Lee Rickard stepped down from his role as label president and divested all interest in the label.
The label issued a statement that read in part that it was “deeply sorry for the role Burger has played in perpetuating a culture of toxic masculinity.”
Five days after Redd’s first Lured_By_Burger_Records post, Burger folded completely, taking with it the operation’s entire digital footprint. Bohrman capped his announcement of the company’s dissolution to a Pitchfork reporter with a Porky Pig GIF: “That’s all folks.”
John Upton, one of the founders of the well-respected photography department at Orange Coast College who taught there for more than 40 years, died on Dec. 7 in Petaluma. He was 88.
Upton died due to complications from lung cancer, the school announced.
A former San Clemente and Laguna Woods resident, Upton had moved to Petaluma two years ago to be closer to his family, his daughter, Sean, said.
“He always had an eye for photography,” Sean Upton said. “The day that I drove him to the hospital, which was just two weeks ago, he was looking out the window appreciating places that he may photograph someday. So, he was always looking through the eye of the lens of the photographer.”
John Upton was born in Iowa and moved to the San Fernando Valley when he was 5 years old, his daughter said. He went to art school in San Francisco, at the California School of the Fine Arts, studying with contemporaries like Ansel Adams and Edward Weston before he was drafted into the U.S. Army during the Korean War in 1953.
Upton came back to Southern California and became a faculty member at Orange Coast College in 1960. He retired in 1999 but continued to teach a gallery class part time for several years.
Upton and his then-wife, Barbara London, published the influential college textbook “Photography” in 1976. There are more than 1.5 million copies in print.
“Things that other people see as common knowledge, John would sort of miss,” said OCC Photography Department Chair Blade Gillissen, a student of Upton’s at the junior college in the 1990s. “He was so tuned into photography. I remember one day trying to talk to him, back when the [Los Angeles] Lakers started doing better again with Kobe [Bryant] and [Shaquille O’Neal]. And he had no idea who I was talking about.”
The gallery class provided joy for Upton later in his life. Gillissen said he and Upton would each drive a van full of students to art galleries and museums throughout Southern California on Saturdays, with Upton acting as a docent.
“I haven’t offered it since he stopped teaching it,” Gillissen said. “I don’t know anyone off the top of my head that could teach it like he did it.”
Sean Upton called her father one of the premier art historians in the U.S. Last January, Orange Coast College opened a survey exhibition of his fine art work at the Frank M. Doyle Arts Pavilion on campus. The exhibit ran until mid-March, when the school was shut down due to the novel coronavirus pandemic.
The survey had selections from four main bodies of work: early work, “Japanalia,” “Jungle Road” and the more recent “Petaluma.” John Upton was an avid fan of Asian art and culture and would visit Japan yearly for decades, Sean Upton said.
The exhibition was curated by Tyler Stallings, director/senior curator at the Doyle.
“He was mainly known as an educator, for the book and what he did for the photography department at OCC,” Stallings said. “He’s always been making work, but as a busy teacher, he didn’t always have the time to get his work out there. That was the angle of the show.”
Later in his life, Upton also collaborated with longtime friend and part-time OCC Photography Department instructor John Hesketh, who would print his photography.
“John was one of the sweetest and most giving people around,” Hesketh said. “I had a commercial father of photography [Dean], and John was kind of my fine art father of photography. He was very, very dedicated to photography itself and what it meant to be a fine art photographer, or an artist that was lens-based … He was like this elder statesman that represented photography in its best, kindest way. He was very generous in encouraging other people to do what they could do.”
A woman shopping in Orange County, California has become the latest target of anti-Asian racism amid the COVID-19 pandemic.
The incident, which was caught on video, reportedly occurred outside a Sephora store at The Market Place in Tustin and Irvine.
In the video posted on Instagram and Reddit, a man can be seen hurling anti-Asian racial slurs while a female companion sarcastically says “bye” to the camera.
The man has since reportedly been identified as Brian Kranz, a fitness instructor in Irvine, California who runs Red Fitness. His female partner—who is seen smirking throughout the incident and even smugly taunts the victim with a “bye”—has been identified as Janelle Hinshaw.
The Asian woman reportedly recalled how the incident started inside the store after the staff asked the pair to wear face masks.
“These people were standing after me in the line at Sephora. They didn’t have masks on before the staff requested so. But then [they] refused to keep social distancing from me. Sephora staff was doing a good job directing me to stand in another line,” a Nextdoor user, who claims to be the woman behind the camera, wrote.
The woman eventually finished shopping and returned to her car. That’s when Kranz followed and began making racist remarks.
“Why don’t you stay at home? Are you that dumb? You want to photograph me?” he says before charging toward the woman, who then retreats in her car.
“Exactly! Get in your car, stupid g**k. Go back to f**king [unintelligible].”
Brian Kranz returns to his Jeep and continues his tirade before driving away.
“Are you really that stupid? You know that recording doesn’t do anything,” he tells the woman. “Stay home. And thanks for giving my country COVID. Have a great day.”
Kranz is a trainer licensed by the National Academy of Sports Medicine (NASM), and many on social media called for his license to be revoked. Many also tagged Hinshaw’s current masters’ program at Azusa Pacific University to revoke her license as a psychologist working with teens.
Given both Kranz and Hinshaw’s work requires working with the public at large, it was of concern to many how they would treat their clients of Asian descent.
The backlash has been immense. After reportedly deactivating their LinkedIn and Instagram pages, they faced backlash on other platforms.
All four teenagers inside the van that ran over the beloved Polk City librarian in November will be charged as adults in her death, Polk County Sheriff Grady Judd said Tuesday.
The driver of the van, 18-year-old Elijah Stansell, had his charge upgraded from attempted murder to murder after Suzette Penton succumbed to her injuries last week.
Stansell is the only teen charged with murder. The others — 16-year-old Kimberly Stone, 14-year-old Hannah Eubank, and 16-year-old Raven Sutton — are facing adult charges of attempted felony murder and burglary with assault.
At a press conference Tuesday, Grady Judd outlined the relationship between the teenagers involved in the tragic incident on Nov. 9.
According to Judd, Suzette’s son, Hunter, had been in an ongoing dispute with former girlfriend Kimberly Stone following their breakup six months ago. The dispute got so bad, Judd said, that Stone was suspended from their high school.
On the day Stone was suspended, Judd said she gathered two friends, Eubank and Sutton, and her new boyfriend, Stansell, to go confront and beat up Hunter at his home.
Judd said that’s when Suzette confronted the teens, tried to take pictures of their getaway van, and was ran over by Stansell.
“Runs completely over her,” Judd said. “She has tire tracks on her body where he runs totally over her.”
The getaway van that Judd said Elijah used belongs to the Westwood Missionary Baptist Church, where Stansell’s father is a pastor.
An investigation is underway at an Indiana high school after a photo caption in the school’s 2020 yearbook listed a student on the boys basketball team as “BLACK GUY” instead of by his name.
After images of the photo in the Brown County High School yearbook were posted to social media Monday, the superintendent apologized that evening in a Facebook Live video.
“It has been brought to our attention that that yearbook has a truly incomprehensible statement included in it,” the superintendent, Laura Hammack, said, adding that officials were “trying to better understand what that situation is all about.”
Hammack declined a request for an interview Thursday and referred NBC News to a statement she and Brown County High School principal, Matthew Stark, released Monday.
Brown County High School is a public school in Nashville, roughly 50 miles south of Indianapolis. There were 577 students enrolled in the 2019-20 school year, the majority of whom — 92.2 percent — are white, according to state data.