Groundbreaking Movie Star Anna May Wong To Be First Asian American Featured On US Currency

Early movie star Anna May Wong, who broke into Hollywood during the silent film era, will become the first Asian American to appear on US currency, a century after she landed her first leading role.

Wong’s image, with her trademark blunt bangs and pencil-thin eyebrows, will feature on the back of new quarters from Monday.

The design is the fifth to emerge from the American Women Quarters Program, which highlights pioneering women in their respective fields. The other four quarters, all put into production this year, feature poet and activist Maya Angelou; the first American woman in space, Sally Ride; Cherokee Nation leader Wilma Mankiller; and suffragist Nina Otero-Warren. The latter two were, along with Wong, selected with input from the public.

“These inspiring coin designs tell the stories of five extraordinary women whose contributions are indelibly etched in American culture,” the US Mint’s acting director, Alison Doone, said in a statement to CNN last year, when the list was revealed.

Considered the movie industry’s first Chinese American star, Wong overcame widespread discrimination to carve out a four-decade career in film, theater and radio. She acted alongside icons including Marlene Dietrich, Joan Crawford and Laurence Olivier and appeared on stage in London and New York.

Born in Los Angeles, she began acting at 14 and took a lead role in “The Toll of the Sea” three years later, in 1922. She went on to appear in dozens of movies but faced deeply entrenched racism in Hollywood, where she struggled to break from stereotypical roles.

She moved to Europe in the 1920s, but later returned to the US to make hits including “Shanghai Express,” the 1932 adventure-romance movie that gave Wong one of her best-known roles — it starred Dietrich as a notorious courtesan who takes a three-day rail journey through China during the Chinese Civil War and is held hostage on board, with Wong playing a fellow first-class passenger.

Throughout her life, Wong advocated for greater representation of Asian American actors in Hollywood. She received a star on the Hollywood Walk of Fame in 1960, the year before she died aged 56.

Source: CNN

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Russian Painting Worth €1 Million Ruined After Bored Security Guard Draws Eyes On Faceless Figures

A painting insured for €1 million has been vandalised by a “bored” security guard who drew eyes on the canvas on his first day of work.

Employees at Russia’s Yeltsin Center have sent Anna Leporskaya’s ‘Three Figures’, painted between 1932-1934, off for restoration after the art was vandalised with a museum-branded ballpoint pen.

Authorities confirmed on 8 February that the work had been defaced by a new security employee aged 60.

The unnamed employee since been dismissed from his position, reports The Art Newspaper Russia, who broke the story.

“His motives are still unknown but the administration believes it was some kind of a lapse in sanity,” the exhibition’s curator Anna Reshetkina said.

Leporskaya’s artwork depicting three faceless figures was on loan from the State Tretyakov Gallery in Moscow so it could feature at the Yeltsin Center’s abstract exhibition, titled ‘The World as Non-Objectivity. The Birth of a New Art’.

Two visitors spotted the addition of eyes on two of the figures during a visit on 7 December 2021.

Criminal proceedings against the employee were initially dismissed due to the assessment that the painting could be saved.

Mounting public pressure has lead to this being reconsidered under the charge of vandalism, which carries a sentence of a €468 fine and a one-year correctional labour in Russia.

The piece was sent to a restoration team at the State Tretyakov the day after the incident and is now being treated.

Restoration is expected to cost around €3,000 but experts are confident the painting can be saved without any serious damage to the original brush strokes.

Ink from the ballpoint pen is said to have only slightly penetrated the paint layer.

The Yeltsin Center confirmed they have installed protective screens over the rest of the exhibition to prevent copycats.

Source: Euronews Culture